Radio Caprice - Oratorio online radio
Radiostation playlist
| Artist | Song title | Like / Dislike | |
|---|---|---|---|
| Pascal Bertin, Delphine Collot, Noemi Rime, Jonathan Kenny; Martin Gester | Scena 3. Aria (Clodoveo): Clotilde, vincesti | ||
| Ensemble Seicentonovecento, Flavio Colusso | Jephte | ||
| Mirco Palazzi | Majella Cullagh | ||
| Il Complesso Barocco, Alan Curtis | Musiche e poesie varie (Libro terzo, 1641) | ||
| Weimarer Barockensemble/Ludger Remy | Ich sehe den Himmel offen | ||
| Joachim Carlos Martini | PART THE FIRST | ||
| Robert King & The King's Consort | Scene 1. No 12: Lord of eternity, who hast in store (chorus of Israelites) | ||
| Handel | Voglio Cangiar Desio | ||
| Guy de Mey | Lisa Saffer | ||
| Nikolaus Harnoncourt & Concentus Musicus Vienna | Soli, Chorus: We Believe That Thou Shalt Come | ||
| Opera Fuoco, David Stern | Scene 4. Air (Jupiter): Come to my arms, my lovely fair | ||
| Akademie fur alte Musik Berlin, A.Monoyios, G.Turk, Ch.Pregardien | Arie (Bass): Seid getreu, ihr wen'gen Frommen | ||
| Riccardo Favero | Part I: Recitative: Cosi Dolente, E Mesto (Narrator) | ||
| Robert King | The King's Consort | ||
| The Monteverdi Choir & The English Baroque Soloists (J. E. Gardiner) | Recitativo accompagnato 'O Jove! what land is this, what clime accurst?' | ||
| Laurence Cummings: Festspiel Orchester Gottingen, NDR Chor | Scene 1. Chorus of Israelites: Ye sons of Israel, ev'ry tribe attend | ||
| Handel | Recitative | ||
| Paul McCreesh | Air (Witch) Infernal spirits | ||
| Ludus Baroque, Oliver Webber, Richard Neville-Towle & Ed Lyon, Sophie Bevat | Recitative (Pleasure/Beauty): Here Pleasure keeps his splendid court | ||
| Ensemble Musica Rara. Gruppo Corale Ars Cantica. Arnold Bosman | Tutte all invito | ||
| Roderich Kreile | Dresdner Kreuzchor, Dresdner Barockorchester | ||
| Legrenzi | Sinfonia | ||
| Marc Minkowski | Es ist vollbracht (Alto) | ||
| Accademia I Filaemonici di Verona | Quid actum sit? (Barac, Debbora) | ||
| Sinfonietta Praha, Parik | Part Two 27. 'Entra l'uomo, allor che nasce' | ||
| Krzysztof Penderecki | De Profundis | ||
| Philharmonia Orchestra, Carlo Maria Giulini & Gioachino Rossini | Coro (a capella) e Recitativo (Basso). Andante mosso. 'Eja mater,fons amoris' | ||
| Le Parlement De Musique | Martin Gester | ||
| John Eliot Gardiner, Orchestre Revolutionnaire et Romantique | Das Paradies und die Peri: 23. 'Hinab zu...Sie schwebt...Doch horch...Und was' | ||
| Weimarer Barockensemble. Die Biederitzer Kantorei. Michael Scholl | Arie (Petrus) |
Scena 3. Aria (Clodoveo): Clotilde, vincesti
Majella Cullagh
Musiche e poesie varie (Libro terzo, 1641)
Ich sehe den Himmel offen
PART THE FIRST
Scene 1. No 12: Lord of eternity, who hast in store (chorus of Israelites)
Voglio Cangiar Desio
Lisa Saffer
Soli, Chorus: We Believe That Thou Shalt Come
Scene 4. Air (Jupiter): Come to my arms, my lovely fair
Arie (Bass): Seid getreu, ihr wen'gen Frommen
Part I: Recitative: Cosi Dolente, E Mesto (Narrator)
The King's Consort
Recitativo accompagnato 'O Jove! what land is this, what clime accurst?'
Scene 1. Chorus of Israelites: Ye sons of Israel, ev'ry tribe attend
Recitative
Air (Witch) Infernal spirits
Recitative (Pleasure/Beauty): Here Pleasure keeps his splendid court
Tutte all invito
Dresdner Kreuzchor, Dresdner Barockorchester
Sinfonia
Es ist vollbracht (Alto)
Quid actum sit? (Barac, Debbora)
Part Two 27. 'Entra l'uomo, allor che nasce'
De Profundis
Coro (a capella) e Recitativo (Basso). Andante mosso. 'Eja mater,fons amoris'
Martin Gester
Das Paradies und die Peri: 23. 'Hinab zu...Sie schwebt...Doch horch...Und was'