Radio Caprice - Oratorio online radio
Radiostation playlist
| Artist | Song title | Like / Dislike | |
|---|---|---|---|
| Riccardo Favero | Part II: Recitative: Pur Al Fine Ti Giunse (Nebuchadnezzar) | ||
| English Bach Festival Chorus, English Bach festival Baroque Orchestra, Guy Cornut & Colette Alliot-Lugaz, Anthony Roden | Judith | ||
| Das Neue Orchester | Chorus Musicus Koln | ||
| Perosi | Andante:'Unus ex duodecim' | ||
| David Porcelijn, Netherlands Symphony Orchester, Koor van de Nationale Reisopera Enschede, Solisten | Chorus mysticus | ||
| Weimarer Barockensemble. Die Biederitzer Kantorei. Michael Scholl | Rezitativ (Hauptmann) | ||
| Episkop Ilarion (Alfeev) | HOR i REChITATIV: Stranstviya Vladychnya | ||
| Ensemble Mare Nostrum|Andrea De Carlo|Arianna Vendittelli | San Giovanni Crisostomo, Pt. 2 | ||
| Gachinger Kantorei | Helmuth Rilling | ||
| Benjamin Britten | Libera me (Rehearsal of closing page) | ||
| Romas Grazinis | Last Pagan Rites: Celebration of the Medvegalis Hill | ||
| La Stagione, Michael Schneider | Piangero (Grazia) | ||
| Ensemble Seicentonovecento, Flavio Colusso | Sponsa canticorum | ||
| Alan Curtis & Il Complesso Barocco | Aria: Padre, acolta (Micol) | ||
| Christian Curnyn | No. 19. Air (Coridon): Would you gain the tender creature | ||
| Robert King & The King's Consort | Part 2. Chorus | ||
| Dunedin Consort & Players / John Butt | Air: He was despised | ||
| Paul McCreesh | Air (David)' Such haughty beauties rather move | ||
| Joachim Carlos Martini | Scene 3. Symphony [from Jephtha] (JCM) | ||
| Les Arts Florissants, William Christie | In nativitatem Domini canticum H.416, Premiere partie | ||
| Rastatter Hofkapelle/Jurgen Ochs | [Terzetto] Es klopft noch unsre volle Brust | ||
| Kolner Akademie | Michael Alexander Willens | ||
| Schwarzkopf, Christoff, Pirazzini | Coro e Orchestra della RAI Torini, Rossi | ||
| Les Chantres du Centre de Musique Baroque de Versailles | Orchestre des Folies Francoises | ||
| Bach Consort Leipzig, Gotthold Schwarz | Aria Ihr weichgeschaff'nen Seelen | ||
| Capella Brugensis, Patrick Peire | Recitatif | ||
| Carl Orff | Carmina Burana: II. In Taberna: Ego sum abbas | ||
| Academia Montis Regalis, Alessandro De Marchi | Prima Pars: Fata regum et sereno | ||
| Gustav Leonhardt (Tolzer Knabenchor & La Petite Bande) | Chorus: Wir setzen uns mit Tranen nieder | ||
| Spruit: Radio Philharmonisch Orkest | Spruit: Radio Philharmonisch Orkest / Beethoven: Christ on the Mount of Olive... |
Part II: Recitative: Pur Al Fine Ti Giunse (Nebuchadnezzar)
Chorus Musicus Koln
Andante:'Unus ex duodecim'
Rezitativ (Hauptmann)
HOR i REChITATIV: Stranstviya Vladychnya
San Giovanni Crisostomo, Pt. 2
Helmuth Rilling
Libera me (Rehearsal of closing page)
Last Pagan Rites: Celebration of the Medvegalis Hill
Piangero (Grazia)
Sponsa canticorum
Aria: Padre, acolta (Micol)
No. 19. Air (Coridon): Would you gain the tender creature
Part 2. Chorus
Air: He was despised
Air (David)' Such haughty beauties rather move
Scene 3. Symphony [from Jephtha] (JCM)
In nativitatem Domini canticum H.416, Premiere partie
[Terzetto] Es klopft noch unsre volle Brust
Michael Alexander Willens
Coro e Orchestra della RAI Torini, Rossi
Orchestre des Folies Francoises
Aria Ihr weichgeschaff'nen Seelen
Recitatif
Carmina Burana: II. In Taberna: Ego sum abbas
Prima Pars: Fata regum et sereno
Chorus: Wir setzen uns mit Tranen nieder
Spruit: Radio Philharmonisch Orkest / Beethoven: Christ on the Mount of Olive...