Radio Caprice - Oratorio online radio
Radiostation playlist
| Artist | Song title | Like / Dislike | |
|---|---|---|---|
| Antonio Florio | Aria (Galatea): S'agita in mezzo all'onde | ||
| Trevor Pinnock | You, Gobrias, lead directry to the palace | ||
| Jennifer Lane; Rudolph Palmer | Faramondo, HWV 39 [Act I, Aria (Faramondo)] | ||
| La Capella Ducale, Musica Fiata, Roland Wilson | Aria (Bass 1): 'Eerschuttere mit Krachen' | ||
| George Frideric Handel | La Resurrezione | ||
| Harry Christophers | The Sixteen | ||
| Peter Neumann & Collegium Cartusianum | Air | ||
| Joachim Carlos Martini | Scene 4. Air (Anna): Thy pleasing face, no more shall I, my Son, behold [from Ariodante] | ||
| Musica Antiqua Koln. Reinhard Goebel | Oratorio de la Passion | ||
| Les Muffatti, Peter Van Heyghen | No. 14. Arioso (Tochter Zion): Sunder schaut mit Furcht und Zagen | ||
| Lorenzo Perosi-Marchigiana Philharmonic Orchestra, Choir `Cento Torri`, Choir `Lauretana` | Gerusalemme | ||
| Accademia Filarmonica Koln | Motettenchor Speyer | ||
| Christoph Spering, Das Neue Orchester | Acis und Galatea | ||
| Diego Fasolis & I Barocchisti | Recitativo: Oh Piu Di Noi Felice (Giovanni, Giuseppe) | ||
| Kammerorchester Basel, Riccardo Minasi & Terry Wey | Aria: Perche si breve allora (Pace) | ||
| Diego Fasolis, N.Argenta, M.Pennicchi, B.Landauer, M.Beasley | Recitativo: Salva e Cecilia (Almachio) | ||
| Schubert | Lazarus, oder Die Feter der Auferstehung, D. 689 (Edison Denisov completion): Act I, III. `Trube nicht mit Klagen seine Seele` (Maria) | ||
| Academia Montis Regalis | Recit Cadesti alfine | ||
| Ulrich Stotzel | Choral: Dess sollen wir uns trosten | ||
| Venice Baroque Orchestra, Andrea Marcon, Magdalena Kozena, Michele Favaro | Orlando furioso, opera in 3 acts, RV 728 (1727) | ||
| Michael Hofstetter | 'Hallelujah!' | ||
| Les Accents, Thibault Noally & Emmanuelle de Negri | Aria (Teodosia): Spirti beati | ||
| Prague Chamber Choir, WDR Rundfunkchor Koln, WDR Sinfonie Orchester Koln, Gerd Albrecht | Saint Ludmilla, oratorio for solists, chrous & orchestra, B. 144 (Op. 71): Part III ALTO SOLO%/... | ||
| Gustav Leonhardt (Tolzer Knabenchor & La Petite Bande) | Und er kam zu seinen Jungern (Evangelista, Jesus) | ||
| Chorus | Omnes generationes | ||
| Ensemble Concerto, Roberto Gini & Mario Cecchetti | Aria vivace: Parti che di Virtu (Fariseo) | ||
| Europa Galante, Fabio Biondi & Patricia Petibon | Aria: Vorrei dirti il mio dolore (Maddalena) | ||
| Ensemble Seicentonovecento, Flavio Colusso | Dives malus [Historia divitis] | ||
| Carl Orff | III. Cours D'Amour: Tempus Est Jocundum | ||
| Dvorak | Chorus 'I think the truth I now infer' |
Aria (Galatea): S'agita in mezzo all'onde
You, Gobrias, lead directry to the palace
Faramondo, HWV 39 [Act I, Aria (Faramondo)]
Aria (Bass 1): 'Eerschuttere mit Krachen'
La Resurrezione
The Sixteen
Scene 4. Air (Anna): Thy pleasing face, no more shall I, my Son, behold [from Ariodante]
Oratorio de la Passion
No. 14. Arioso (Tochter Zion): Sunder schaut mit Furcht und Zagen
Motettenchor Speyer
Acis und Galatea
Recitativo: Oh Piu Di Noi Felice (Giovanni, Giuseppe)
Aria: Perche si breve allora (Pace)
Recitativo: Salva e Cecilia (Almachio)
Lazarus, oder Die Feter der Auferstehung, D. 689 (Edison Denisov completion): Act I, III. `Trube nicht mit Klagen seine Seele` (Maria)
Recit Cadesti alfine
Choral: Dess sollen wir uns trosten
Orlando furioso, opera in 3 acts, RV 728 (1727)
'Hallelujah!'
Aria (Teodosia): Spirti beati
Saint Ludmilla, oratorio for solists, chrous & orchestra, B. 144 (Op. 71): Part III ALTO SOLO%/...
Und er kam zu seinen Jungern (Evangelista, Jesus)
Omnes generationes
Aria vivace: Parti che di Virtu (Fariseo)
Aria: Vorrei dirti il mio dolore (Maddalena)
Dives malus [Historia divitis]
III. Cours D'Amour: Tempus Est Jocundum
Chorus 'I think the truth I now infer'