Radio Caprice - Musique Concrete / Acousmatic / Electroacoustic [2] online radio
Radio Caprice - Musique Concrete / Acousmatic / Electroacoustic [2]
The Russian Federation 68 Likes
AAC+
: 320
http://radcap.ru/concrete.html
Radio Caprice - Musique Concrete / Acousmatic / Electroacoustic [2] is an exceptional online radio station that caters to the lovers of experimental and avant-garde sounds. With a specific focus on musique concrete, acousmatic, and electroacoustic genres, this radio station aims to captivate its listeners with unique and thought-provoking musical compositions.
The term "musique concrete" refers to a form of music that incorporates pre-recorded sounds, manipulated and transformed into intricate sound collages. It emphasizes the use of non-musical elements, such as everyday sounds or noises, to create unconventional compositions. With Radio Caprice's dedication to this genre, listeners can indulge themselves in a world of non-traditional sonic experiences that challenge the boundaries of conventional music.
Acousmatic music, on the other hand, focuses on the experience of sound itself rather than its source. Listeners are immersed in a sonic landscape where the origin of the sound is deliberately concealed, allowing them to explore and interpret sound in an abstract and immersive way. Radio Caprice's inclusion of this genre ensures a rich and diverse listening experience for those interested in exploring the more experimental side of music.
Additionally, Electroacoustic music incorporates both electronic and acoustic sound sources, blending traditional musical instruments with synthesized elements. This genre allows for a wide range of experimentation, with artists embracing technology to manipulate, modify, and reshape sounds in innovative and creative ways. Radio Caprice's inclusion of electroacoustic music ensures that listeners can explore the cutting edge of sound manipulation and electronic music composition.
Overall, Radio Caprice - Musique Concrete / Acousmatic / Electroacoustic [2] presents an opportunity for its listeners to engage with music that defies conventions and pushes the boundaries of what is considered "normal." With its carefully curated selection of musique concrete, acousmatic, and electroacoustic tracks, this online radio station invites its audience on a sonic journey that challenges preconceived notions of music and opens new doors to auditory exploration.
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The term "musique concrete" refers to a form of music that incorporates pre-recorded sounds, manipulated and transformed into intricate sound collages. It emphasizes the use of non-musical elements, such as everyday sounds or noises, to create unconventional compositions. With Radio Caprice's dedication to this genre, listeners can indulge themselves in a world of non-traditional sonic experiences that challenge the boundaries of conventional music.
Acousmatic music, on the other hand, focuses on the experience of sound itself rather than its source. Listeners are immersed in a sonic landscape where the origin of the sound is deliberately concealed, allowing them to explore and interpret sound in an abstract and immersive way. Radio Caprice's inclusion of this genre ensures a rich and diverse listening experience for those interested in exploring the more experimental side of music.
Additionally, Electroacoustic music incorporates both electronic and acoustic sound sources, blending traditional musical instruments with synthesized elements. This genre allows for a wide range of experimentation, with artists embracing technology to manipulate, modify, and reshape sounds in innovative and creative ways. Radio Caprice's inclusion of electroacoustic music ensures that listeners can explore the cutting edge of sound manipulation and electronic music composition.
Overall, Radio Caprice - Musique Concrete / Acousmatic / Electroacoustic [2] presents an opportunity for its listeners to engage with music that defies conventions and pushes the boundaries of what is considered "normal." With its carefully curated selection of musique concrete, acousmatic, and electroacoustic tracks, this online radio station invites its audience on a sonic journey that challenges preconceived notions of music and opens new doors to auditory exploration.
Radiostation playlist
| Artist | Song title | Like / Dislike | |
|---|---|---|---|
| If, Bwana | Scratching Asia | ||
| Stanislav Kreitchi | Tryptich Ocean | ||
| John Duncan | Nav-Flex | ||
| Ton Bruynel | Toccare (1979) | ||
| Robert Normandeau | Spleen | ||
| Delia Derbyshire | Celestial Cantabile | ||
| Richard Karpen | Il Nome | ||
| Robert Scott Thompson | Drone Chroma 1 | ||
| Bruno Maderna | Syntaxis | ||
| Alvin Lucier | Violin Duet | ||
| Michael Pisaro & Greg Stuart | Hearing Metal 2 (La Table du Silence), Part 3 | ||
| Robert Ashley | The Backyard (T'Be Continued) | ||
| Andre Almuro | Mantra 107 | ||
| Pierre Henry | Impressions Sismiques | ||
| Alvin Lucier | Viola | ||
| Michel Chion | Etude D'apres Beethoven | ||
| Ian William Craig | Drifting to Void on All Sides | ||
| Graham Lambkin & Jason Lescalleet | Layman's Lament | ||
| Raymond Scott | Tempo Block | ||
| Oval | Kukicha | ||
| Artificial Memory Trace | Hartam | ||
| Hugh Le Caine | Artificial Larynx | ||
| Hecker Tim | Tim Hecker | ||
| Artificial Memory Trace | Zoom-Spectives | ||
| Francisco Lopez | Qal'at Abd'al-Salam (1993): 5. The Thunder Hall | ||
| Gunner Moller Pedersen | June | ||
| Pietro Dossena | Santa Barbara Portrait | ||
| Phelan Sheppard | Water Clock | ||
| Stephen Vitiello | Forget What You Came For | ||
| Francisco Lopez | Piloconsor, Tres Mitocondrias Y Lucha Por El Liquido Emporante |
Scratching Asia
Tryptich Ocean
Nav-Flex
Toccare (1979)
Spleen
Celestial Cantabile
Il Nome
Drone Chroma 1
Syntaxis
Violin Duet
Hearing Metal 2 (La Table du Silence), Part 3
The Backyard (T'Be Continued)
Mantra 107
Impressions Sismiques
Viola
Etude D'apres Beethoven
Drifting to Void on All Sides
Layman's Lament
Tempo Block
Kukicha
Hartam
Artificial Larynx
Tim Hecker
Zoom-Spectives
Qal'at Abd'al-Salam (1993): 5. The Thunder Hall
Santa Barbara Portrait
Water Clock
Forget What You Came For
Piloconsor, Tres Mitocondrias Y Lucha Por El Liquido Emporante