Radio Caprice - Musique Concrete / Acousmatic / Electroacoustic [2] online radio

Radio Caprice - Musique Concrete / Acousmatic / Electroacoustic [2]

The Russian Federation
68 Likes
AAC+ : 320
http://radcap.ru/concrete.html


Radio Caprice - Musique Concrete / Acousmatic / Electroacoustic [2] is an exceptional online radio station that caters to the lovers of experimental and avant-garde sounds. With a specific focus on musique concrete, acousmatic, and electroacoustic genres, this radio station aims to captivate its listeners with unique and thought-provoking musical compositions.

The term "musique concrete" refers to a form of music that incorporates pre-recorded sounds, manipulated and transformed into intricate sound collages. It emphasizes the use of non-musical elements, such as everyday sounds or noises, to create unconventional compositions. With Radio Caprice's dedication to this genre, listeners can indulge themselves in a world of non-traditional sonic experiences that challenge the boundaries of conventional music.

Acousmatic music, on the other hand, focuses on the experience of sound itself rather than its source. Listeners are immersed in a sonic landscape where the origin of the sound is deliberately concealed, allowing them to explore and interpret sound in an abstract and immersive way. Radio Caprice's inclusion of this genre ensures a rich and diverse listening experience for those interested in exploring the more experimental side of music.

Additionally, Electroacoustic music incorporates both electronic and acoustic sound sources, blending traditional musical instruments with synthesized elements. This genre allows for a wide range of experimentation, with artists embracing technology to manipulate, modify, and reshape sounds in innovative and creative ways. Radio Caprice's inclusion of electroacoustic music ensures that listeners can explore the cutting edge of sound manipulation and electronic music composition.

Overall, Radio Caprice - Musique Concrete / Acousmatic / Electroacoustic [2] presents an opportunity for its listeners to engage with music that defies conventions and pushes the boundaries of what is considered "normal." With its carefully curated selection of musique concrete, acousmatic, and electroacoustic tracks, this online radio station invites its audience on a sonic journey that challenges preconceived notions of music and opens new doors to auditory exploration.
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Radiostation playlist

Artist Song title Like / Dislike
eRikm & Fennesz Studio Take 6
Martin Archer Spun Sugar Barbed Wire
Francis Dhomont ... Mourir Un Peu (1984|87): Transfert II
Artificial Memory Trace Telegram II [I]
Francisco Lopez Dormant Spores
Graham Lambkin & Jason Lescalleet Listen, the Snow is Falling
Excepter When You Call
Valgeir Sigurdsson Laxness
Denis Smalley Chanson De Geste (For Amplified Voices And Instruments)
Erdem Helvacioglu Pearl Border
Alexander Piterskiy Kiddy 7Th
Jacaszek Orszula
Stephen Vitiello Aft(ER): Low Only
Molly Berg, Olivia Block, Steve Roden, Stephen Vitiello MOSS
Olivier Capparos String Quartet No 2 Tenebrae 1
Robert Ashley `Au Pair` Katja
Pierre Henry Utopia
Tod Dockstader Serious Jig
Etant Donnes L'Eclipse
Michel Chion, Lionel Marchetti, Jerome Noetinger Suicide Spirituel
Luc Ferrari Music Promenade
Delia Derbyshire No Man's Land
Robert Scott Thompson Dream Visions
Alvin Lucier Still Lives VI. Ferns
Hugh Le Caine Mal Clark Plays The Sackbut
Francis Dhomont Meteores (1989)
Steve Moore Eight Openings onto a Vermilion Sky
Noah Creshevsky Happy Ending
The Limbo Ensemble The Naked Ballerina
Philippe Petit & Friends The Moon Woman
Studio Take 6
Spun Sugar Barbed Wire
... Mourir Un Peu (1984|87): Transfert II
Dormant Spores
Listen, the Snow is Falling
When You Call
Chanson De Geste (For Amplified Voices And Instruments)
Pearl Border
Orszula
Aft(ER): Low Only
String Quartet No 2 Tenebrae 1
`Au Pair` Katja
Serious Jig
L'Eclipse
Music Promenade
No Man's Land
Still Lives VI. Ferns
Mal Clark Plays The Sackbut
Meteores (1989)
Eight Openings onto a Vermilion Sky
Happy Ending
The Naked Ballerina

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