Radio Caprice - Musique Concrete / Acousmatic / Electroacoustic [2] online radio
Radio Caprice - Musique Concrete / Acousmatic / Electroacoustic [2]
The Russian Federation 68 Likes
AAC+
: 320
http://radcap.ru/concrete.html
Radio Caprice - Musique Concrete / Acousmatic / Electroacoustic [2] is an exceptional online radio station that caters to the lovers of experimental and avant-garde sounds. With a specific focus on musique concrete, acousmatic, and electroacoustic genres, this radio station aims to captivate its listeners with unique and thought-provoking musical compositions.
The term "musique concrete" refers to a form of music that incorporates pre-recorded sounds, manipulated and transformed into intricate sound collages. It emphasizes the use of non-musical elements, such as everyday sounds or noises, to create unconventional compositions. With Radio Caprice's dedication to this genre, listeners can indulge themselves in a world of non-traditional sonic experiences that challenge the boundaries of conventional music.
Acousmatic music, on the other hand, focuses on the experience of sound itself rather than its source. Listeners are immersed in a sonic landscape where the origin of the sound is deliberately concealed, allowing them to explore and interpret sound in an abstract and immersive way. Radio Caprice's inclusion of this genre ensures a rich and diverse listening experience for those interested in exploring the more experimental side of music.
Additionally, Electroacoustic music incorporates both electronic and acoustic sound sources, blending traditional musical instruments with synthesized elements. This genre allows for a wide range of experimentation, with artists embracing technology to manipulate, modify, and reshape sounds in innovative and creative ways. Radio Caprice's inclusion of electroacoustic music ensures that listeners can explore the cutting edge of sound manipulation and electronic music composition.
Overall, Radio Caprice - Musique Concrete / Acousmatic / Electroacoustic [2] presents an opportunity for its listeners to engage with music that defies conventions and pushes the boundaries of what is considered "normal." With its carefully curated selection of musique concrete, acousmatic, and electroacoustic tracks, this online radio station invites its audience on a sonic journey that challenges preconceived notions of music and opens new doors to auditory exploration.
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The term "musique concrete" refers to a form of music that incorporates pre-recorded sounds, manipulated and transformed into intricate sound collages. It emphasizes the use of non-musical elements, such as everyday sounds or noises, to create unconventional compositions. With Radio Caprice's dedication to this genre, listeners can indulge themselves in a world of non-traditional sonic experiences that challenge the boundaries of conventional music.
Acousmatic music, on the other hand, focuses on the experience of sound itself rather than its source. Listeners are immersed in a sonic landscape where the origin of the sound is deliberately concealed, allowing them to explore and interpret sound in an abstract and immersive way. Radio Caprice's inclusion of this genre ensures a rich and diverse listening experience for those interested in exploring the more experimental side of music.
Additionally, Electroacoustic music incorporates both electronic and acoustic sound sources, blending traditional musical instruments with synthesized elements. This genre allows for a wide range of experimentation, with artists embracing technology to manipulate, modify, and reshape sounds in innovative and creative ways. Radio Caprice's inclusion of electroacoustic music ensures that listeners can explore the cutting edge of sound manipulation and electronic music composition.
Overall, Radio Caprice - Musique Concrete / Acousmatic / Electroacoustic [2] presents an opportunity for its listeners to engage with music that defies conventions and pushes the boundaries of what is considered "normal." With its carefully curated selection of musique concrete, acousmatic, and electroacoustic tracks, this online radio station invites its audience on a sonic journey that challenges preconceived notions of music and opens new doors to auditory exploration.
Radiostation playlist
| Artist | Song title | Like / Dislike | |
|---|---|---|---|
| James Johnson and Robert Scott Thompson | Luminous | ||
| Robert Scott Thompson | Ray Science | ||
| Bengt Hambraeus | Doppelrohr II | ||
| Brandon LaBelle | Icki Beats The Stones Of The Threshold | ||
| Francois Bayle | Espaces Inhabitables | ||
| Joe Frawley | A Secret Story | ||
| Valgeir Sigurdsson | Equilibrium Is Restored | ||
| Delia Derbyshire | Falling | ||
| Pierre Henry | Sport | ||
| Stephen Vitiello + Molly Berg | Voice L- | ||
| Artificial Memory Trace | Palpilon | ||
| Pierre Henry | Initiation | ||
| Edgard Varese | Deserts | ||
| Tod Dockstader | lala | ||
| Bernard Parmegiani | Sonare | ||
| Robert Ashley | Odalisque, Character Reference | ||
| Pierre Schaeffer | Masquerage | ||
| Ton Bruynel | Looking Ears | ||
| Anna Homler | Pillow Song | ||
| Henri Pousseur | Trois Visages De Liege: A. L'air Et L'eau | ||
| Luc Ferrari | Und So Weiter (1966) Part 1 | ||
| Francisco Lopez | La Batalla (The Battle) | ||
| Edgard Varese | Poem Electronique | ||
| Ivo Malec | Bizarra | ||
| Robert Scott Thompson | Drone Chroma 4 | ||
| Mathew Adkins | Urban Soundscape | ||
| Jorge Antunes | Vitraux MCMXCV | ||
| Pauline Oliveros | Mnemonics III (1965) | ||
| Sebastian Lexer | Defining Edges | ||
| Thompson, Robert Scott | Byplay |
Ray Science
Doppelrohr II
Icki Beats The Stones Of The Threshold
Espaces Inhabitables
A Secret Story
Equilibrium Is Restored
Falling
Sport
Voice L-
Palpilon
Initiation
Deserts
lala
Sonare
Odalisque, Character Reference
Masquerage
Looking Ears
Pillow Song
Trois Visages De Liege: A. L'air Et L'eau
Und So Weiter (1966) Part 1
La Batalla (The Battle)
Poem Electronique
Bizarra
Drone Chroma 4
Urban Soundscape
Vitraux MCMXCV
Mnemonics III (1965)
Defining Edges
Byplay