Radio Caprice - Musique Concrete / Acousmatic / Electroacoustic [2] online radio
Radio Caprice - Musique Concrete / Acousmatic / Electroacoustic [2]
The Russian Federation 68 Likes
AAC+
: 320
http://radcap.ru/concrete.html
Radio Caprice - Musique Concrete / Acousmatic / Electroacoustic [2] is an exceptional online radio station that caters to the lovers of experimental and avant-garde sounds. With a specific focus on musique concrete, acousmatic, and electroacoustic genres, this radio station aims to captivate its listeners with unique and thought-provoking musical compositions.
The term "musique concrete" refers to a form of music that incorporates pre-recorded sounds, manipulated and transformed into intricate sound collages. It emphasizes the use of non-musical elements, such as everyday sounds or noises, to create unconventional compositions. With Radio Caprice's dedication to this genre, listeners can indulge themselves in a world of non-traditional sonic experiences that challenge the boundaries of conventional music.
Acousmatic music, on the other hand, focuses on the experience of sound itself rather than its source. Listeners are immersed in a sonic landscape where the origin of the sound is deliberately concealed, allowing them to explore and interpret sound in an abstract and immersive way. Radio Caprice's inclusion of this genre ensures a rich and diverse listening experience for those interested in exploring the more experimental side of music.
Additionally, Electroacoustic music incorporates both electronic and acoustic sound sources, blending traditional musical instruments with synthesized elements. This genre allows for a wide range of experimentation, with artists embracing technology to manipulate, modify, and reshape sounds in innovative and creative ways. Radio Caprice's inclusion of electroacoustic music ensures that listeners can explore the cutting edge of sound manipulation and electronic music composition.
Overall, Radio Caprice - Musique Concrete / Acousmatic / Electroacoustic [2] presents an opportunity for its listeners to engage with music that defies conventions and pushes the boundaries of what is considered "normal." With its carefully curated selection of musique concrete, acousmatic, and electroacoustic tracks, this online radio station invites its audience on a sonic journey that challenges preconceived notions of music and opens new doors to auditory exploration.
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The term "musique concrete" refers to a form of music that incorporates pre-recorded sounds, manipulated and transformed into intricate sound collages. It emphasizes the use of non-musical elements, such as everyday sounds or noises, to create unconventional compositions. With Radio Caprice's dedication to this genre, listeners can indulge themselves in a world of non-traditional sonic experiences that challenge the boundaries of conventional music.
Acousmatic music, on the other hand, focuses on the experience of sound itself rather than its source. Listeners are immersed in a sonic landscape where the origin of the sound is deliberately concealed, allowing them to explore and interpret sound in an abstract and immersive way. Radio Caprice's inclusion of this genre ensures a rich and diverse listening experience for those interested in exploring the more experimental side of music.
Additionally, Electroacoustic music incorporates both electronic and acoustic sound sources, blending traditional musical instruments with synthesized elements. This genre allows for a wide range of experimentation, with artists embracing technology to manipulate, modify, and reshape sounds in innovative and creative ways. Radio Caprice's inclusion of electroacoustic music ensures that listeners can explore the cutting edge of sound manipulation and electronic music composition.
Overall, Radio Caprice - Musique Concrete / Acousmatic / Electroacoustic [2] presents an opportunity for its listeners to engage with music that defies conventions and pushes the boundaries of what is considered "normal." With its carefully curated selection of musique concrete, acousmatic, and electroacoustic tracks, this online radio station invites its audience on a sonic journey that challenges preconceived notions of music and opens new doors to auditory exploration.
Radiostation playlist
| Artist | Song title | Like / Dislike | |
|---|---|---|---|
| Eric La Casa | Les Pierres Du Seuil Part 1-3 | ||
| John Metcalfe | Sun | ||
| Matmos | The West | ||
| Steve Moore | The Return Of The Poet | ||
| Delia Derbyshire | The Dreams | ||
| Mark Templeton | Flat3 | ||
| Francisco Lopez | Untitled #104 | ||
| Francois Bayle | L'experience Acoustique | ||
| John Butcher, Mike Hansen, Tomasz Krakowiak | Standing Wave Suite Part 1 | ||
| Daphne Oram | Passacaglia | ||
| Robert Scott Thompson | Up to the Dragon Gate | ||
| Michele Bokanowski | 13' 05'' | ||
| Etant Donnes | Les Cents Jour Clairs B | ||
| Scant Intone | Scant Intone | ||
| Robert Ashley | Viva's Boy | ||
| Artificial Memory Trace | Transitions | ||
| Toshi Ichiyanagi | Appearance | ||
| Tod Dockstader | Pulse | ||
| Pierre Henry | Ferme | ||
| Artificial Memory Trace | Urban / Under Tree After Rain | ||
| Francis Dhomont | Studio De Nuit | ||
| Phelan Sheppard | Weaving Song | ||
| Carl Stone | Jitlada | ||
| Toru Takemitsu | Eclipse For Biwa And Shakuhachi | ||
| Francois Bayle | Divine Comedie | ||
| Francois Bayle | Grande Polyphonie, Side B | ||
| Matmos | Verber: Amplified Synapse | ||
| Matmos | Polychords | ||
| Francois Bayle | Jeita, Ou Murmure Des Eaux (Version 2012 Inedite) | ||
| Lindberg, Magnus | Ur |
Les Pierres Du Seuil Part 1-3
Sun
The West
The Return Of The Poet
The Dreams
Flat3
Untitled #104
L'experience Acoustique
Standing Wave Suite Part 1
Passacaglia
Up to the Dragon Gate
13' 05''
Les Cents Jour Clairs B
Scant Intone
Viva's Boy
Transitions
Appearance
Pulse
Ferme
Urban / Under Tree After Rain
Studio De Nuit
Weaving Song
Jitlada
Eclipse For Biwa And Shakuhachi
Divine Comedie
Grande Polyphonie, Side B
Verber: Amplified Synapse
Polychords
Jeita, Ou Murmure Des Eaux (Version 2012 Inedite)