Classical Radio - Chicago Symphony Orchestra online radio
Classical Radio - Chicago Symphony Orchestra
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https://classicalradio.world/
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Elzbieta Ardam, Sir Georg Solti, Chicago Symphony Orchestra and Dame Kiri Te Kanawa
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Giuseppe Verdi: Otello, Act 4
2 hours ago
Classical Radio - Chicago Symphony Orchestra is a prominent online radio station that immerses listeners in the exquisite world of classical music performed by the Chicago Symphony Orchestra. With a vast collection of timeless masterpieces and outstanding live recordings, this radio station takes classical music enthusiasts on a captivating journey through the works of some of the most renowned composers in history.
The Chicago Symphony Orchestra, one of the most acclaimed symphonic ensembles in the world, showcases its exceptional talent through this online platform. Their expert musicians, under the guidance of eminent conductors, deliver breathtaking interpretations of classical compositions, captivating listeners with their precision, emotion, and virtuosity.
Listeners of Classical Radio - Chicago Symphony Orchestra can expect to experience the euphoria that classical music offers. Whether you are seeking to unwind after a long day, enhance your creative endeavors, or simply indulge in the beauty of orchestral music, this online radio station promises to provide a rich and immersive classical experience.
Through its seamless streaming service, Classical Radio - Chicago Symphony Orchestra ensures that listeners around the world can enjoy the captivating performances of this prestigious orchestra at any time, from any location. Whether in the comfort of your own home, on a long commute, or while exploring a new city, this online radio station allows you to carry the timeless elegance of the Chicago Symphony Orchestra with you wherever you go.
Classical Radio - Chicago Symphony Orchestra offers a diverse range of programming, catering to a variety of musical tastes within the classical genre. From the breathtaking symphonies of Beethoven and Brahms to the enchanting concertos of Mozart and Tchaikovsky, this radio station presents a carefully curated selection that showcases the vast depth and breadth of classical music.
In addition to the symphonic repertoire, Classical Radio - Chicago Symphony Orchestra also features special broadcasts, interviews, and behind-the-scenes insights into the inner workings of this prestigious orchestra. This provides listeners with a unique opportunity to delve deeper into the world of classical music and gain a greater appreciation for the art form.
Overall, Classical Radio - Chicago Symphony Orchestra is a delightful oasis for classical music lovers, allowing them to immerse themselves in the enchanting melodies and harmonies of the Chicago Symphony Orchestra from anywhere in the world. Offering a magnificent collection of performances, this online radio station is a testament to the timeless beauty and enduring legacy of classical music.
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The Chicago Symphony Orchestra, one of the most acclaimed symphonic ensembles in the world, showcases its exceptional talent through this online platform. Their expert musicians, under the guidance of eminent conductors, deliver breathtaking interpretations of classical compositions, captivating listeners with their precision, emotion, and virtuosity.
Listeners of Classical Radio - Chicago Symphony Orchestra can expect to experience the euphoria that classical music offers. Whether you are seeking to unwind after a long day, enhance your creative endeavors, or simply indulge in the beauty of orchestral music, this online radio station promises to provide a rich and immersive classical experience.
Through its seamless streaming service, Classical Radio - Chicago Symphony Orchestra ensures that listeners around the world can enjoy the captivating performances of this prestigious orchestra at any time, from any location. Whether in the comfort of your own home, on a long commute, or while exploring a new city, this online radio station allows you to carry the timeless elegance of the Chicago Symphony Orchestra with you wherever you go.
Classical Radio - Chicago Symphony Orchestra offers a diverse range of programming, catering to a variety of musical tastes within the classical genre. From the breathtaking symphonies of Beethoven and Brahms to the enchanting concertos of Mozart and Tchaikovsky, this radio station presents a carefully curated selection that showcases the vast depth and breadth of classical music.
In addition to the symphonic repertoire, Classical Radio - Chicago Symphony Orchestra also features special broadcasts, interviews, and behind-the-scenes insights into the inner workings of this prestigious orchestra. This provides listeners with a unique opportunity to delve deeper into the world of classical music and gain a greater appreciation for the art form.
Overall, Classical Radio - Chicago Symphony Orchestra is a delightful oasis for classical music lovers, allowing them to immerse themselves in the enchanting melodies and harmonies of the Chicago Symphony Orchestra from anywhere in the world. Offering a magnificent collection of performances, this online radio station is a testament to the timeless beauty and enduring legacy of classical music.
Top 50 tracks of 69
| Artist | Song title | Like / Dislike | |
|---|---|---|---|
| Alan Opie, Chicago Symphony Chorus, Sir Georg Solti, Chicago Symphony Orchestra, Anthony Rolfe Johnson, John Keyes and Leo Nucci | Giuseppe Verdi: Otello, Act 1 | ||
| Byron Janis, Fritz Reiner and Chicago Symphony Orchestra | Franz Liszt: Piano Concerto No. 1 in F-Sharp Minor, Op. 1: Vivace, Andante, Allegro vivace | ||
| Chicago Symphony Orchestra and Claudio Abbado | Gustav Mahler: Symphony No. 7 in E Minor: Ia-f, IIa-d, IIIa-c, IVa-b, Va-d | ||
| Chicago Symphony Orchestra and Claudio Abbado | Gustav Mahler: Symphony No.1 In D: 1. Langsam. Schleppend, 2. Kräftig bewegt, 3. Feierlich und gemessen, ohne zu schleppen, 4. Stürmisch bewegt | ||
| Chicago Symphony Orchestra and Claudio Abbado | Gustav Mahler: Symphony No.2 In C Minor | ||
| Chicago Symphony Orchestra and Claudio Abbado | Gustav Mahler: Symphony No.2 In C Minor - Resurrection: 1. Allegro maestoso, 2. Andante moderato. Sehr gemächlich, 3. Scherzo: In ruhig fliessender Bewegung, 4. Urlicht. Sehr feierlich, aber schlicht O Röschen rot!, 5. In Tempo des Scherzos | ||
| Chicago Symphony Orchestra and Claudio Abbado | Gustav Mahler: Symphony No.5 In C-Sharp Minor: 1. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt | ||
| Chicago Symphony Orchestra and Claudio Abbado | Gustav Mahler: Symphony No.5 In C-Sharp Minor: 1. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt - Plötzlich schneller. Leidenschaftlich. Wild - Tempo I), 2. Stürmisch bewegt. Mit größter Vehemenz - Bedeutend langsamer - Tempo I subito, 3. Scherzo (Kräftig, nicht zu schnell), 4. Adagietto (Sehr langsam), | ||
| Chicago Symphony Orchestra and Claudio Abbado | Hector Berlioz: Symphonie fantastique, Op. 14: I. Rêveries. Passions (Largo | ||
| Chicago Symphony Orchestra and Claudio Abbado | Hector Berlioz: Symphonie fantastique, Op. 14: Songe d'une nuit du Sabbat | ||
| Chicago Symphony Orchestra and Claudio Abbado | Sergei Prokofiev: Lieutenant Kijé, Symphonic Suite, Op. 60: 1. Naissance de Kijé, 2. Romance, 3 Noces de Kijé, 4. Troïka, 5. Enterrement de Kijé | ||
| Chicago Symphony Orchestra and Claudio Abbado | Sergei Prokofiev: Scythian Suite, Op. 20, Ala and Lolly: 1. The Adoration of Veless and Ala, 2. The Enemy God and the Dance of the Spirits of Darkness, 3. Night, 4. The Glorious Departure of Lolly and the Sun's Procession | ||
| Chicago Symphony Orchestra and Daniel Barenboim | Pyotr Ilyich Tchaikovsky | ||
| Chicago Symphony Orchestra and Fritz Reiner | Béla Bartók | ||
| Chicago Symphony Orchestra and Riccardo Muti | Anton Bruckner: Symphony No. 9 in D Minor, WAB 109 (Original 1894 Version): I. Feierlich, misterioso, II. Scherzo. Bewegt, lebhaft, III. Adagio. Langsam feierlich | ||
| Chicago Symphony Orchestra and Sir Georg Solti | Pyotr Ilyich Tchaikovsky | ||
| Chorus of the Vienna State Opera, Wiener Singverein, Chicago Symphony Orchestra and Sir Georg Solti | Gustav Mahler: Symphony No. 8 in E-Flat Major Symphony of a Thousand, Pt. 1 Hymnus | ||
| Daniel Barenboim and the Chicago Symphony Orchestra | Johannes Brahms: Academic Festival Overture, Op. 80 | ||
| Daniel Barenboim and the Chicago Symphony Orchestra | Johannes Brahms: Symphony No. 1, Op. 68 in C-Moll: I. Un poco sostenuto | ||
| Daniel Barenboim and the Chicago Symphony Orchestra | Johannes Brahms: Symphony No. 2, Op. 73 in D-Dur: I. Allegro non troppo, II. Adagio non troppo | ||
| Daniel Barenboim and the Chicago Symphony Orchestra | Johannes Brahms: Tragic overture, Op. 81 | ||
| Daniel Barenboim and the Chicago Symphony Orchestra | Johannes Brahms: Variations on a theme by Haydn, Op. 56a: Chorale St Antoni | ||
| Elzbieta Ardam, Sir Georg Solti, Chicago Symphony Orchestra and Dame Kiri Te Kanawa | Giuseppe Verdi: Otello, Act 4 | ||
| Fritz Reiner and Chicago Symphony Orchestra | Gioacchino Rossini: Il Signor Bruschino Overture | ||
| Fritz Reiner and Chicago Symphony Orchestra | Gioacchino Rossini: La gazza ladra/The Thieving Magpie Overture | ||
| Fritz Reiner and Chicago Symphony Orchestra | Gioacchino Rossini: La scala di seta/The Silken Ladder Overture | ||
| Fritz Reiner, Byron Janis and Chicago Symphony Orchestra | Franz Liszt: Totentanz, S. 126, R. 457 (Danse macabre) | ||
| Fritz Reiner, Mihaly Virizlay and Chicago Symphony Orchestra | Gioacchino Rossini: Guglielmo Tell/Guillaume Tell/William Tell Overture | ||
| Gaston Litaize, Chicago Symphony Orchestra and Daniel Barenboim | Camille Saint-Saëns: Symphony No.3 In C Minor, Op.78 Organ Symphony: 1. Adagio | ||
| Ivo Pogorelich, Chicago Symphony Orchestra and Claudio Abbado | Frédéric Chopin: Piano Concerto No. 2 in F Minor, Op. 21: I. Maestoso, 2. Larghetto, 3. Allegro vivace | ||
| Jascha Heifetz, Walter Hendl and Chicago Symphony Orchestra | Jean Sibelius: Violin Concerto in D Minor, Op. 47: Allegro moderato, Adagio di molto, Allegro ma non tanto | ||
| Leo Nucci, Sir Georg Solti, Chicago Symphony Orchestra and Anthony Rolfe Johnson | Giuseppe Verdi: Otello, Act 2 | ||
| Maurizio Pollini, Chicago Symphony Orchestra and Claudio Abbado | Béla Bartók | ||
| Richard Cohn, Sir Georg Solti, Chicago Symphony Orchestra and Luciano Pavarotti | Giuseppe Verdi: Otello, Act 3 | ||
| Shlomo Mintz, Chicago Symphony Orchestra and Claudio Abbado | Anton Bruckner: Violin Concerto No.1 In G Minor, Op.26: 1. Vorspiel (Allegro moderato), 2. Adagio, 3. Finale (Allegro energico) | ||
| Shlomo Mintz, Chicago Symphony Orchestra and Claudio Abbado | Felix Mendelssohn: Violin Concerto In E Minor, Op.64, MWV O14: 1. Allegro molto appassionato, 2. Andante, 3. Allegro non troppo | ||
| Shlomo Mintz, Chicago Symphony Orchestra and Claudio Abbado | Sergei Prokofiev: Violin Concerto No.1 In D, Op.19: 1. Andantino, 2. Scherzo. Vivacissimo, 3. Moderato | ||
| Shlomo Mintz, Chicago Symphony Orchestra and Claudio Abbado | Sergei Prokofiev: Violin Concerto No.2 In G Minor, Op.63: 1. Allegro moderato, 2. Andante assai, 3. Allegro, ben marcato | ||
| Van Cliburn, Fritz Reiner and Chicago Symphony Orchestra | Pyotr Ilyich Tchaikovsky | ||
| Van Cliburn, Fritz Reiner and Chicago Symphony Orchestra | Pyotr Ilyich Tchaikovsky; Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato - Allegro, II. Adagio Sostenuto, III. Allegro Scherzando | ||
| Wiener Singverein, Chorus of the Vienna State Opera, Chicago Symphony Orchestra and Sir Georg Solti | Gustav Mahler: Symphony No. 8 in E-Flat Major Symphony of a Thousand, Pt. 2 Final Scene from Goethe | ||
| Wiener Singverein, Chorus of the Vienna State Opera, Chicago Symphony Orchestra and Sir Georg Solti | Gustav Mahler: Symphony No. 8 in E-Flat Major Symphony of a Thousand, Pt. 2 Final Scene from Goethe's Faust | ||
| Chicago Symphony Orchestra and Claudio Abbado | Hector Berlioz: Symphonie fantastique, Op. 14: I. Rêveries. Passions (Largo - Allegro agitato ed appassionato assai), II. Un bal (Valse: Allegro non troppo), III. Scène aux champs (Adagio), IV. Marche au supplice (Allegretto non troppo) | ||
| Chicago Symphony Orchestra and Fritz Reiner | Béla Bartók; Concerto for Orchestra: I. Introduzione. Andante non troppo - Allegro vivace, II. Giuoco delle coppie. Allegretto scherzando, III. Elegia. Andante non troppo, IV. Intermezzo interrotto. Allegretto | ||
| Daniel Barenboim and the Chicago Symphony Orchestra | Johannes Brahms: Variations on a theme by Haydn, Op. 56a: Chorale St Antoni - Andante, Variations I. to VIII., Finale - Andante | ||
| Fritz Reiner and Chicago Symphony Orchestra | Gioacchino Rossini: Il barbiere di Siviglia/The Barber of Seville Overture | ||
| Gaston Litaize, Chicago Symphony Orchestra and Daniel Barenboim | Camille Saint-Saëns: Symphony No.3 In C Minor, Op.78 Organ Symphony: 1. Adagio - Allegro moderato - Poco adagio, 2a. Allegro moderato - Presto - Allegro moderato, 3. Maestoso - Allegro | ||
| Ivo Pogorelich | Frédéric Chopin: Polonaise No. 5 in F-Sharp Minor, Op. 44 | ||
| Maurizio Pollini, Chicago Symphony Orchestra and Claudio Abbado | Béla Bartók; Piano Concerto No.1, BB 91, Sz. 83: 1. Allegro moderato - Allegro, 2. Andante, 3. Allegro molto | ||
| Maurizio Pollini, Chicago Symphony Orchestra and Claudio Abbado | Béla Bartók; Piano Concerto No.2, BB 101, Sz. 95: 1. Allegro, 2. Adagio - Più adagio - Presto, 3. Allegro molto |
Franz Liszt: Piano Concerto No. 1 in F-Sharp Minor, Op. 1: Vivace, Andante, Allegro vivace
Gustav Mahler: Symphony No. 7 in E Minor: Ia-f, IIa-d, IIIa-c, IVa-b, Va-d
Gustav Mahler: Symphony No.1 In D: 1. Langsam. Schleppend, 2. Kräftig bewegt, 3. Feierlich und gemessen, ohne zu schleppen, 4. Stürmisch bewegt
Gustav Mahler: Symphony No.2 In C Minor
Gustav Mahler: Symphony No.2 In C Minor - Resurrection: 1. Allegro maestoso, 2. Andante moderato. Sehr gemächlich, 3. Scherzo: In ruhig fliessender Bewegung, 4. Urlicht. Sehr feierlich, aber schlicht O Röschen rot!, 5. In Tempo des Scherzos
Gustav Mahler: Symphony No.5 In C-Sharp Minor: 1. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt
Gustav Mahler: Symphony No.5 In C-Sharp Minor: 1. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt - Plötzlich schneller. Leidenschaftlich. Wild - Tempo I), 2. Stürmisch bewegt. Mit größter Vehemenz - Bedeutend langsamer - Tempo I subito, 3. Scherzo (Kräftig, nicht zu schnell), 4. Adagietto (Sehr langsam),
Hector Berlioz: Symphonie fantastique, Op. 14: I. Rêveries. Passions (Largo
Hector Berlioz: Symphonie fantastique, Op. 14: Songe d'une nuit du Sabbat
Sergei Prokofiev: Lieutenant Kijé, Symphonic Suite, Op. 60: 1. Naissance de Kijé, 2. Romance, 3 Noces de Kijé, 4. Troïka, 5. Enterrement de Kijé
Sergei Prokofiev: Scythian Suite, Op. 20, Ala and Lolly: 1. The Adoration of Veless and Ala, 2. The Enemy God and the Dance of the Spirits of Darkness, 3. Night, 4. The Glorious Departure of Lolly and the Sun's Procession
Pyotr Ilyich Tchaikovsky
Béla Bartók
Anton Bruckner: Symphony No. 9 in D Minor, WAB 109 (Original 1894 Version): I. Feierlich, misterioso, II. Scherzo. Bewegt, lebhaft, III. Adagio. Langsam feierlich
Pyotr Ilyich Tchaikovsky
Gustav Mahler: Symphony No. 8 in E-Flat Major Symphony of a Thousand, Pt. 1 Hymnus
Johannes Brahms: Academic Festival Overture, Op. 80
Johannes Brahms: Symphony No. 1, Op. 68 in C-Moll: I. Un poco sostenuto
Johannes Brahms: Symphony No. 2, Op. 73 in D-Dur: I. Allegro non troppo, II. Adagio non troppo
Johannes Brahms: Tragic overture, Op. 81
Johannes Brahms: Variations on a theme by Haydn, Op. 56a: Chorale St Antoni
Giuseppe Verdi: Otello, Act 4
Gioacchino Rossini: Il Signor Bruschino Overture
Gioacchino Rossini: La gazza ladra/The Thieving Magpie Overture
Gioacchino Rossini: La scala di seta/The Silken Ladder Overture
Franz Liszt: Totentanz, S. 126, R. 457 (Danse macabre)
Gioacchino Rossini: Guglielmo Tell/Guillaume Tell/William Tell Overture
Camille Saint-Saëns: Symphony No.3 In C Minor, Op.78 Organ Symphony: 1. Adagio
Frédéric Chopin: Piano Concerto No. 2 in F Minor, Op. 21: I. Maestoso, 2. Larghetto, 3. Allegro vivace
Jean Sibelius: Violin Concerto in D Minor, Op. 47: Allegro moderato, Adagio di molto, Allegro ma non tanto
Giuseppe Verdi: Otello, Act 2
Giuseppe Verdi: Otello, Act 3
Anton Bruckner: Violin Concerto No.1 In G Minor, Op.26: 1. Vorspiel (Allegro moderato), 2. Adagio, 3. Finale (Allegro energico)
Felix Mendelssohn: Violin Concerto In E Minor, Op.64, MWV O14: 1. Allegro molto appassionato, 2. Andante, 3. Allegro non troppo
Sergei Prokofiev: Violin Concerto No.1 In D, Op.19: 1. Andantino, 2. Scherzo. Vivacissimo, 3. Moderato
Sergei Prokofiev: Violin Concerto No.2 In G Minor, Op.63: 1. Allegro moderato, 2. Andante assai, 3. Allegro, ben marcato
Pyotr Ilyich Tchaikovsky
Pyotr Ilyich Tchaikovsky; Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato - Allegro, II. Adagio Sostenuto, III. Allegro Scherzando
Gustav Mahler: Symphony No. 8 in E-Flat Major Symphony of a Thousand, Pt. 2 Final Scene from Goethe
Gustav Mahler: Symphony No. 8 in E-Flat Major Symphony of a Thousand, Pt. 2 Final Scene from Goethe's Faust
Hector Berlioz: Symphonie fantastique, Op. 14: I. Rêveries. Passions (Largo - Allegro agitato ed appassionato assai), II. Un bal (Valse: Allegro non troppo), III. Scène aux champs (Adagio), IV. Marche au supplice (Allegretto non troppo)
Béla Bartók; Concerto for Orchestra: I. Introduzione. Andante non troppo - Allegro vivace, II. Giuoco delle coppie. Allegretto scherzando, III. Elegia. Andante non troppo, IV. Intermezzo interrotto. Allegretto
Johannes Brahms: Variations on a theme by Haydn, Op. 56a: Chorale St Antoni - Andante, Variations I. to VIII., Finale - Andante
Gioacchino Rossini: Il barbiere di Siviglia/The Barber of Seville Overture
Camille Saint-Saëns: Symphony No.3 In C Minor, Op.78 Organ Symphony: 1. Adagio - Allegro moderato - Poco adagio, 2a. Allegro moderato - Presto - Allegro moderato, 3. Maestoso - Allegro
Frédéric Chopin: Polonaise No. 5 in F-Sharp Minor, Op. 44
Béla Bartók; Piano Concerto No.1, BB 91, Sz. 83: 1. Allegro moderato - Allegro, 2. Andante, 3. Allegro molto
Béla Bartók; Piano Concerto No.2, BB 101, Sz. 95: 1. Allegro, 2. Adagio - Più adagio - Presto, 3. Allegro molto