Chicago Symphony Orchestra online radio
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Chicago Symphony Orchestra and Daniel Barenboim
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Pyotr Ilyich Tchaikovsky; Symphony No. 4 in F Minor, Op. 36: I. Andante sostenuto - Moderato con anima, II. Andantino in modo di canzona, III. Scherzo - Pizzicato ostinato, IV. Finale - Allegro con fuoco
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The Chicago Symphony Orchestra is one of the most prestigious and renowned musical institutions in the world. With a rich history that spans over a century, this orchestra has consistently been at the forefront of classical music excellence.
Online radio platform, Uber.Radio, offers a unique opportunity to listen to the incredible performances of the Chicago Symphony Orchestra from the comfort of your own home. This digital platform allows music lovers from all over the world to connect with the orchestra's captivating repertoire.
The Chicago Symphony Orchestra's online radio station, aptly titled "Chicago Symphony Orchestra" on Uber.Radio, brings to life the magic of their live performances. With a diverse range of symphonic works, from unparalleled interpretations of classical masterpieces to compelling contemporary compositions, this station promises a captivating musical journey.
From the traditional symphonies of Beethoven and Tchaikovsky to the experimental and boundary-pushing works of modern composers, the Chicago Symphony Orchestra's online radio station offers a wide variety of musical experiences. Listeners can expect to be transported to the enchanting world of classical music, where each note and melody is expertly crafted and delivered by the orchestra's talented musicians.
The Chicago Symphony Orchestra's rich and dynamic sound, combined with the flawless acoustics of their iconic concert hall, creates an immersive experience that is truly awe-inspiring. Through the power of technology, Uber.Radio brings this experience directly to your ears, allowing you to share in the orchestra's passion and artistry.
Whether you are a devoted classical music enthusiast or someone looking to explore the world of orchestral music, the "Chicago Symphony Orchestra" online radio station on Uber.Radio offers an unforgettable musical journey. Immerse yourself in the timeless beauty of the symphony and let the Chicago Symphony Orchestra captivate your senses.
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Online radio platform, Uber.Radio, offers a unique opportunity to listen to the incredible performances of the Chicago Symphony Orchestra from the comfort of your own home. This digital platform allows music lovers from all over the world to connect with the orchestra's captivating repertoire.
The Chicago Symphony Orchestra's online radio station, aptly titled "Chicago Symphony Orchestra" on Uber.Radio, brings to life the magic of their live performances. With a diverse range of symphonic works, from unparalleled interpretations of classical masterpieces to compelling contemporary compositions, this station promises a captivating musical journey.
From the traditional symphonies of Beethoven and Tchaikovsky to the experimental and boundary-pushing works of modern composers, the Chicago Symphony Orchestra's online radio station offers a wide variety of musical experiences. Listeners can expect to be transported to the enchanting world of classical music, where each note and melody is expertly crafted and delivered by the orchestra's talented musicians.
The Chicago Symphony Orchestra's rich and dynamic sound, combined with the flawless acoustics of their iconic concert hall, creates an immersive experience that is truly awe-inspiring. Through the power of technology, Uber.Radio brings this experience directly to your ears, allowing you to share in the orchestra's passion and artistry.
Whether you are a devoted classical music enthusiast or someone looking to explore the world of orchestral music, the "Chicago Symphony Orchestra" online radio station on Uber.Radio offers an unforgettable musical journey. Immerse yourself in the timeless beauty of the symphony and let the Chicago Symphony Orchestra captivate your senses.
Top 50 tracks of 71
| Artist | Song title | Like / Dislike | |
|---|---|---|---|
| Alan Opie, Chicago Symphony Chorus, Sir Georg Solti, Chicago Symphony Orchestra, Anthony Rolfe Johnson, John Keyes and Leo Nucci | Giuseppe Verdi: Otello, Act 1 | ||
| Byron Janis, Fritz Reiner and Chicago Symphony Orchestra | Franz Liszt: Piano Concerto No. 1 in F-Sharp Minor, Op. 1: Vivace, Andante, Allegro vivace | ||
| Chicago Symphony Orchestra and Claudio Abbado | Gustav Mahler: Symphony No. 7 in E Minor: Ia-f, IIa-d, IIIa-c, IVa-b, Va-d | ||
| Chicago Symphony Orchestra and Claudio Abbado | Gustav Mahler: Symphony No.1 In D: 1. Langsam. Schleppend, 2. Kräftig bewegt, 3. Feierlich und gemessen, ohne zu schleppen, 4. Stürmisch bewegt | ||
| Chicago Symphony Orchestra and Claudio Abbado | Gustav Mahler: Symphony No.2 In C Minor | ||
| Chicago Symphony Orchestra and Claudio Abbado | Gustav Mahler: Symphony No.2 In C Minor - Resurrection: 1. Allegro maestoso, 2. Andante moderato. Sehr gemächlich, 3. Scherzo: In ruhig fliessender Bewegung, 4. Urlicht. Sehr feierlich, aber schlicht O Röschen rot!, 5. In Tempo des Scherzos | ||
| Chicago Symphony Orchestra and Claudio Abbado | Gustav Mahler: Symphony No.5 In C-Sharp Minor: 1. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt | ||
| Chicago Symphony Orchestra and Claudio Abbado | Gustav Mahler: Symphony No.5 In C-Sharp Minor: 1. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt - Plötzlich schneller. Leidenschaftlich. Wild - Tempo I), 2. Stürmisch bewegt. Mit größter Vehemenz - Bedeutend langsamer - Tempo I subito, 3. Scherzo (Kräftig, nicht zu schnell), 4. Adagietto (Sehr langsam), | ||
| Chicago Symphony Orchestra and Claudio Abbado | Hector Berlioz: Symphonie fantastique, Op. 14: I. Rêveries. Passions (Largo | ||
| Chicago Symphony Orchestra and Claudio Abbado | Hector Berlioz: Symphonie fantastique, Op. 14: Songe d'une nuit du Sabbat | ||
| Chicago Symphony Orchestra and Claudio Abbado | Sergei Prokofiev: Lieutenant Kijé, Symphonic Suite, Op. 60: 1. Naissance de Kijé, 2. Romance, 3 Noces de Kijé, 4. Troïka, 5. Enterrement de Kijé | ||
| Chicago Symphony Orchestra and Claudio Abbado | Sergei Prokofiev: Scythian Suite, Op. 20, Ala and Lolly: 1. The Adoration of Veless and Ala, 2. The Enemy God and the Dance of the Spirits of Darkness, 3. Night, 4. The Glorious Departure of Lolly and the Sun's Procession | ||
| Chicago Symphony Orchestra and Daniel Barenboim | Pyotr Ilyich Tchaikovsky | ||
| Chicago Symphony Orchestra and Daniel Barenboim | Pyotr Ilyich Tchaikovsky; Symphony No. 4 in F Minor, Op. 36: I. Andante sostenuto - Moderato con anima, II. Andantino in modo di canzona, III. Scherzo - Pizzicato ostinato, IV. Finale - Allegro con fuoco | ||
| Chicago Symphony Orchestra and Daniel Barenboim | Pyotr Ilyich Tchaikovsky; Symphony No. 5 in E Minor, Op. 64: I. Andante - Allegro con anima, II. Andante cantabile, con alcuna licenza, III. Valse: Allegro moderato, IV. Finale: Andante maestro - Allegro vivace | ||
| Chicago Symphony Orchestra and Fritz Reiner | Béla Bartók | ||
| Chicago Symphony Orchestra and Fritz Reiner | Béla Bartók; Concerto for Orchestra: I. Introduzione. Andante non troppo - Allegro vivace, II. Giuoco delle coppie. Allegretto scherzando, III. Elegia. Andante non troppo, IV. Intermezzo interrotto. Allegretto | ||
| Chicago Symphony Orchestra and Riccardo Muti | Anton Bruckner: Symphony No. 9 in D Minor, WAB 109 (Original 1894 Version): I. Feierlich, misterioso, II. Scherzo. Bewegt, lebhaft, III. Adagio. Langsam feierlich | ||
| Chicago Symphony Orchestra and Sir Georg Solti | Pyotr Ilyich Tchaikovsky | ||
| Chorus of the Vienna State Opera, Wiener Singverein, Chicago Symphony Orchestra and Sir Georg Solti | Gustav Mahler: Symphony No. 8 in E-Flat Major Symphony of a Thousand, Pt. 1 Hymnus | ||
| Daniel Barenboim and the Chicago Symphony Orchestra | Johannes Brahms: Academic Festival Overture, Op. 80 | ||
| Daniel Barenboim and the Chicago Symphony Orchestra | Johannes Brahms: Symphony No. 1, Op. 68 in C-Moll: I. Un poco sostenuto | ||
| Daniel Barenboim and the Chicago Symphony Orchestra | Johannes Brahms: Symphony No. 1, Op. 68 in C-Moll: I. Un poco sostenuto - Allegro, II. Andante sostenuto, III. Un poco Allegretto e grazioso, IV. Adagio - piu Andante - Allegro non troppo ma con brio | ||
| Daniel Barenboim and the Chicago Symphony Orchestra | Johannes Brahms: Symphony No. 2, Op. 73 in D-Dur: I. Allegro non troppo, II. Adagio non troppo | ||
| Daniel Barenboim and the Chicago Symphony Orchestra | Johannes Brahms: Tragic overture, Op. 81 | ||
| Daniel Barenboim and the Chicago Symphony Orchestra | Johannes Brahms: Variations on a theme by Haydn, Op. 56a: Chorale St Antoni | ||
| Elzbieta Ardam, Sir Georg Solti, Chicago Symphony Orchestra and Dame Kiri Te Kanawa | Giuseppe Verdi: Otello, Act 4 | ||
| Fritz Reiner and Chicago Symphony Orchestra | Gioacchino Rossini: Il Signor Bruschino Overture | ||
| Fritz Reiner and Chicago Symphony Orchestra | Gioacchino Rossini: La gazza ladra/The Thieving Magpie Overture | ||
| Fritz Reiner and Chicago Symphony Orchestra | Gioacchino Rossini: La scala di seta/The Silken Ladder Overture | ||
| Fritz Reiner, Byron Janis and Chicago Symphony Orchestra | Franz Liszt: Totentanz, S. 126, R. 457 (Danse macabre) | ||
| Fritz Reiner, Mihaly Virizlay and Chicago Symphony Orchestra | Gioacchino Rossini: Guglielmo Tell/Guillaume Tell/William Tell Overture | ||
| Gaston Litaize, Chicago Symphony Orchestra and Daniel Barenboim | Camille Saint-Saëns: Symphony No.3 In C Minor, Op.78 Organ Symphony: 1. Adagio | ||
| Ivo Pogorelich, Chicago Symphony Orchestra and Claudio Abbado | Frédéric Chopin: Piano Concerto No. 2 in F Minor, Op. 21: I. Maestoso, 2. Larghetto, 3. Allegro vivace | ||
| Jascha Heifetz, Walter Hendl and Chicago Symphony Orchestra | Jean Sibelius: Violin Concerto in D Minor, Op. 47: Allegro moderato, Adagio di molto, Allegro ma non tanto | ||
| Leo Nucci, Sir Georg Solti, Chicago Symphony Orchestra and Anthony Rolfe Johnson | Giuseppe Verdi: Otello, Act 2 | ||
| Maurizio Pollini, Chicago Symphony Orchestra and Claudio Abbado | Béla Bartók | ||
| Maurizio Pollini, Chicago Symphony Orchestra and Claudio Abbado | Béla Bartók; Piano Concerto No.2, BB 101, Sz. 95: 1. Allegro, 2. Adagio - Più adagio - Presto, 3. Allegro molto | ||
| Richard Cohn, Sir Georg Solti, Chicago Symphony Orchestra and Luciano Pavarotti | Giuseppe Verdi: Otello, Act 3 | ||
| Shlomo Mintz, Chicago Symphony Orchestra and Claudio Abbado | Anton Bruckner: Violin Concerto No.1 In G Minor, Op.26: 1. Vorspiel (Allegro moderato), 2. Adagio, 3. Finale (Allegro energico) | ||
| Shlomo Mintz, Chicago Symphony Orchestra and Claudio Abbado | Felix Mendelssohn: Violin Concerto In E Minor, Op.64, MWV O14: 1. Allegro molto appassionato, 2. Andante, 3. Allegro non troppo | ||
| Shlomo Mintz, Chicago Symphony Orchestra and Claudio Abbado | Sergei Prokofiev: Violin Concerto No.1 In D, Op.19: 1. Andantino, 2. Scherzo. Vivacissimo, 3. Moderato | ||
| Shlomo Mintz, Chicago Symphony Orchestra and Claudio Abbado | Sergei Prokofiev: Violin Concerto No.2 In G Minor, Op.63: 1. Allegro moderato, 2. Andante assai, 3. Allegro, ben marcato | ||
| Van Cliburn, Fritz Reiner and Chicago Symphony Orchestra | Pyotr Ilyich Tchaikovsky | ||
| Van Cliburn, Fritz Reiner and Chicago Symphony Orchestra | Pyotr Ilyich Tchaikovsky; Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato - Allegro, II. Adagio Sostenuto, III. Allegro Scherzando | ||
| Wiener Singverein, Chorus of the Vienna State Opera, Chicago Symphony Orchestra and Sir Georg Solti | Gustav Mahler: Symphony No. 8 in E-Flat Major Symphony of a Thousand, Pt. 2 Final Scene from Goethe | ||
| Wiener Singverein, Chorus of the Vienna State Opera, Chicago Symphony Orchestra and Sir Georg Solti | Gustav Mahler: Symphony No. 8 in E-Flat Major Symphony of a Thousand, Pt. 2 Final Scene from Goethe's Faust | ||
| Chicago Symphony Orchestra and Claudio Abbado | Sergei Prokofiev: Scythian Suite, Op. 20, Ala and Lolly: 1. The Adoration of Veless and Ala, 2. The Enemy God and the Dance of the Spirits of Darkness, 3. Night, 4. The Glorious Departure of Lolly and the Sun | ||
| Daniel Barenboim and the Chicago Symphony Orchestra | Johannes Brahms: Symphony No. 2, Op. 73 in D-Dur: I. Allegro non troppo, II. Adagio non troppo - L | ||
| Fritz Reiner and Chicago Symphony Orchestra | Gioacchino Rossini: Il barbiere di Siviglia/The Barber of Seville Overture |
Franz Liszt: Piano Concerto No. 1 in F-Sharp Minor, Op. 1: Vivace, Andante, Allegro vivace
Gustav Mahler: Symphony No. 7 in E Minor: Ia-f, IIa-d, IIIa-c, IVa-b, Va-d
Gustav Mahler: Symphony No.1 In D: 1. Langsam. Schleppend, 2. Kräftig bewegt, 3. Feierlich und gemessen, ohne zu schleppen, 4. Stürmisch bewegt
Gustav Mahler: Symphony No.2 In C Minor
Gustav Mahler: Symphony No.2 In C Minor - Resurrection: 1. Allegro maestoso, 2. Andante moderato. Sehr gemächlich, 3. Scherzo: In ruhig fliessender Bewegung, 4. Urlicht. Sehr feierlich, aber schlicht O Röschen rot!, 5. In Tempo des Scherzos
Gustav Mahler: Symphony No.5 In C-Sharp Minor: 1. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt
Gustav Mahler: Symphony No.5 In C-Sharp Minor: 1. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt - Plötzlich schneller. Leidenschaftlich. Wild - Tempo I), 2. Stürmisch bewegt. Mit größter Vehemenz - Bedeutend langsamer - Tempo I subito, 3. Scherzo (Kräftig, nicht zu schnell), 4. Adagietto (Sehr langsam),
Hector Berlioz: Symphonie fantastique, Op. 14: I. Rêveries. Passions (Largo
Hector Berlioz: Symphonie fantastique, Op. 14: Songe d'une nuit du Sabbat
Sergei Prokofiev: Lieutenant Kijé, Symphonic Suite, Op. 60: 1. Naissance de Kijé, 2. Romance, 3 Noces de Kijé, 4. Troïka, 5. Enterrement de Kijé
Sergei Prokofiev: Scythian Suite, Op. 20, Ala and Lolly: 1. The Adoration of Veless and Ala, 2. The Enemy God and the Dance of the Spirits of Darkness, 3. Night, 4. The Glorious Departure of Lolly and the Sun's Procession
Pyotr Ilyich Tchaikovsky
Pyotr Ilyich Tchaikovsky; Symphony No. 4 in F Minor, Op. 36: I. Andante sostenuto - Moderato con anima, II. Andantino in modo di canzona, III. Scherzo - Pizzicato ostinato, IV. Finale - Allegro con fuoco
Pyotr Ilyich Tchaikovsky; Symphony No. 5 in E Minor, Op. 64: I. Andante - Allegro con anima, II. Andante cantabile, con alcuna licenza, III. Valse: Allegro moderato, IV. Finale: Andante maestro - Allegro vivace
Béla Bartók
Béla Bartók; Concerto for Orchestra: I. Introduzione. Andante non troppo - Allegro vivace, II. Giuoco delle coppie. Allegretto scherzando, III. Elegia. Andante non troppo, IV. Intermezzo interrotto. Allegretto
Anton Bruckner: Symphony No. 9 in D Minor, WAB 109 (Original 1894 Version): I. Feierlich, misterioso, II. Scherzo. Bewegt, lebhaft, III. Adagio. Langsam feierlich
Pyotr Ilyich Tchaikovsky
Gustav Mahler: Symphony No. 8 in E-Flat Major Symphony of a Thousand, Pt. 1 Hymnus
Johannes Brahms: Academic Festival Overture, Op. 80
Johannes Brahms: Symphony No. 1, Op. 68 in C-Moll: I. Un poco sostenuto
Johannes Brahms: Symphony No. 1, Op. 68 in C-Moll: I. Un poco sostenuto - Allegro, II. Andante sostenuto, III. Un poco Allegretto e grazioso, IV. Adagio - piu Andante - Allegro non troppo ma con brio
Johannes Brahms: Symphony No. 2, Op. 73 in D-Dur: I. Allegro non troppo, II. Adagio non troppo
Johannes Brahms: Tragic overture, Op. 81
Johannes Brahms: Variations on a theme by Haydn, Op. 56a: Chorale St Antoni
Giuseppe Verdi: Otello, Act 4
Gioacchino Rossini: Il Signor Bruschino Overture
Gioacchino Rossini: La gazza ladra/The Thieving Magpie Overture
Gioacchino Rossini: La scala di seta/The Silken Ladder Overture
Franz Liszt: Totentanz, S. 126, R. 457 (Danse macabre)
Gioacchino Rossini: Guglielmo Tell/Guillaume Tell/William Tell Overture
Camille Saint-Saëns: Symphony No.3 In C Minor, Op.78 Organ Symphony: 1. Adagio
Frédéric Chopin: Piano Concerto No. 2 in F Minor, Op. 21: I. Maestoso, 2. Larghetto, 3. Allegro vivace
Jean Sibelius: Violin Concerto in D Minor, Op. 47: Allegro moderato, Adagio di molto, Allegro ma non tanto
Giuseppe Verdi: Otello, Act 2
Béla Bartók; Piano Concerto No.2, BB 101, Sz. 95: 1. Allegro, 2. Adagio - Più adagio - Presto, 3. Allegro molto
Giuseppe Verdi: Otello, Act 3
Anton Bruckner: Violin Concerto No.1 In G Minor, Op.26: 1. Vorspiel (Allegro moderato), 2. Adagio, 3. Finale (Allegro energico)
Felix Mendelssohn: Violin Concerto In E Minor, Op.64, MWV O14: 1. Allegro molto appassionato, 2. Andante, 3. Allegro non troppo
Sergei Prokofiev: Violin Concerto No.1 In D, Op.19: 1. Andantino, 2. Scherzo. Vivacissimo, 3. Moderato
Sergei Prokofiev: Violin Concerto No.2 In G Minor, Op.63: 1. Allegro moderato, 2. Andante assai, 3. Allegro, ben marcato
Pyotr Ilyich Tchaikovsky
Pyotr Ilyich Tchaikovsky; Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato - Allegro, II. Adagio Sostenuto, III. Allegro Scherzando
Gustav Mahler: Symphony No. 8 in E-Flat Major Symphony of a Thousand, Pt. 2 Final Scene from Goethe
Gustav Mahler: Symphony No. 8 in E-Flat Major Symphony of a Thousand, Pt. 2 Final Scene from Goethe's Faust
Sergei Prokofiev: Scythian Suite, Op. 20, Ala and Lolly: 1. The Adoration of Veless and Ala, 2. The Enemy God and the Dance of the Spirits of Darkness, 3. Night, 4. The Glorious Departure of Lolly and the Sun
Johannes Brahms: Symphony No. 2, Op. 73 in D-Dur: I. Allegro non troppo, II. Adagio non troppo - L
Gioacchino Rossini: Il barbiere di Siviglia/The Barber of Seville Overture