Robert Schumann
Robert Schumann - German classical composer
Person from Germany
Genres: classical, romantic classical, Classical, romantic, piano, german, composers
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About Robert Schumann
Robert Schumann (8 June 1810 – 29 July 1856) was a German composer, pianist, and music critic associated with the early Romantic era. He composed works across a wide range of genres, including music for solo piano, voice and piano, chamber ensembles, orchestra, choir, and opera. His compositions are often viewed as representative of German Romanticism. Born in Zwickau, Saxony, into a middle-class family with no direct musical background, Schumann initially considered careers in both law and music. He studied law at the universities of Leipzig and Heidelberg, though his main interests lay in music and Romantic literature. From 1829, he studied piano under Friedrich Wieck, but a hand injury curtailed his plans to become a concert pianist. As a result, he turned his focus to composition. His early output consisted mainly of piano works, including "Carnaval", "Davidsbündlertänze", "Fantasiestücke", "Kreisleriana", and "Kinderszenen", composed between 1834 and 1838. In 1834, he co-founded the "Neue Zeitschrift für Musik" and edited it for a decade. In his writings and compositions, he often expressed contrasting aspects of his personality, which he referred to as "Florestan" and "Eusebius". In 1840, despite opposition from Friedrich Wieck, Schumann married Wieck’s daughter, Clara, who was a distinguished pianist and composer. That year marked a surge in Schumann's compositional output, particularly in the area of Lieder. Notable works from this period include "Frauenliebe und Leben" and "Dichterliebe". In 1841, he shifted focus to orchestral music, completing the first of his four symphonies. The following year, he wrote several chamber works, including three string quartets, a piano quintet, and a piano quartet. During the remainder of the 1840s, despite episodes of ill health, Schumann continued composing and toured Europe with Clara. His only opera, "Genoveva" (1850), was not well received and has rarely been performed since. In 1850, Schumann became director of music in Düsseldorf. Although the position initially promised stability, difficulties arising from his introverted nature and mental health challenges led to his resignation after three years. In 1853, he and Clara met Johannes Brahms, then a young composer, whom Schumann supported in the "Neue Zeitschrift für Musik". Schumann's mental health declined severely in 1854, culminating in a suicide attempt. He was placed in a private sanatorium near Bonn, where he remained until his death in 1856. During his lifetime, Schumann was most celebrated for his piano music and Lieder, often noted for their poetic and programmatic qualities. Other works, especially those from his later years, received less attention and were sometimes viewed as less inspired. This view has become less dominant in recent scholarship, although his early piano and vocal compositions remain central to his reputation. Schumann exerted significant influence on 19th- and 20th-century composers, including Gustav Mahler, Richard Strauss, Arnold Schoenberg, and Wolfgang Rihm in the German-speaking world, as well as Georges Bizet, Gabriel Fauré, Claude Debussy, and Maurice Ravel in France. His music also influenced Russian composers such as Anton Rubinstein and Pyotr Ilyich Tchaikovsky.
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Robert Schumann — Top 30 songs of 749
| Artist | Song title | Like / Dislike | |
|---|---|---|---|
| Robert Schumann | Symphony No.1 in Bb major Opus 38 (2) | ||
| Robert Schumann | Violinkonzert d-moll | ||
| Robert Schumann | Symphony No.1 in Bb major Opus 38 (1) | ||
| Robert Schumann | Symphony No.2 in C major Opus 61 (3) | ||
| Robert Schumann | Symphony No.3 in Eb major Opus 97 (3) | ||
| Robert Schumann | Kreisleriana Opus 16: II. Sehr innig und nicht zu rasch | ||
| Robert Schumann | Overture Manfred Opus 115 | ||
| Robert Schumann | Symphonische Etüden Opus 13: Etüde VI (Wilhelm Kempff) | ||
| Robert Schumann | 2. Grosse Sonate fur Violine und Pianoforte op. 121, IV. Bewegt | ||
| Robert Schumann | Carnaval, Op. 9: Selections | ||
| Robert Schumann | Davidsbundlertanze, Op. 6: XVII. Wie aus der Ferne | ||
| Robert Schumann | Introduction and Allegro appassionato, Op. 92 | ||
| Robert Schumann | Concerto per violino e orchestra, in re minore | ||
| Robert Schumann | 1.Movimento dalla sinfonia n.3 in mi bemolle maggiore op. 97 "Renana" | ||
| Robert Schumann | Sinfonia n. 3 in mi bemolle maggiore op. 97 "Renana" | ||
| Robert Schumann | Tre romanze op. 94 | ||
| Robert Schumann | Andante cantabile dal Quartetto per pianoforte, violino, viola, | ||
| Robert Schumann | Introduction and Concert Allegro | ||
| Robert Schumann | Carnaval Opus 9-18-Aveu. Passionato (Wilhelm Kempff) | ||
| Robert Schumann | Fantasiestuecke, Op. 73 | ||
| Robert Schumann | 2. Grosse Sonate fur Violine und Pianoforte op. 121, I. Ziemlich langsam | ||
| Robert Schumann | Second Grand Sonata in D minor, Op.121 | ||
| Robert Schumann | Second Grand Sonata in D minor, Op.121 | ||
| Robert Schumann | Sonata In A Minor, Op.105 | ||
| Robert Schumann | Allegro affettuoso dal concerto per pianoforte in la minore op. 54 | ||
| Robert Schumann | Andante cantabile dal Quartetto per pianoforte, violino, viola, violoncello, in mi bemolle maggiore, op. 47 | ||
| Robert Schumann | Concerto per pianoforte in la minore op. 54 | ||
| Robert Schumann | Ouverture "Manfred" op. 115 | ||
| Robert Schumann | Arabeske C-Dur op. 18 | ||
| Robert Schumann | Adagio espressivo de la symphonie No 2 en do majeur op. 61 |