Sir John Eliot Gardiner

Sir John Eliot Gardiner

Person from United Kingdom

Sir John Eliot Gardiner

About Sir John Eliot Gardiner

Gardiner was educated at Bryanston School, and studied history and Arabic as an undergraduate at King's College, Cambridge. Gardiner began to learn conducting at the age of 15, later he toured the Middle East conducting the Oxford and Cambridge Singers. After graduating from King's College, Cambridge, he studied at King's College London under Thurston Dart, and with the French music professor Nadia Boulanger. During his time in Cambridge he founded, in 1964, his first musical ensemble, the Monteverdi Choir. With the Monteverdi Choir he made his conducting debut at the Wigmore Hall in London in 1966. He formed the Monteverdi Orchestra in 1968, who played on modern instruments, but after changing to period instruments in 1977 they became known as the English Baroque Soloists. In 1969 Gardiner made his debut in the opera house with a performance of Mozart's The Magic Flute at the English National Opera. Four years later, in 1973, he first appeared at Covent Garden conducting Gluck's Iphigénie en Tauride. The English Baroque Soloists made their debut with him in the 1977 Innsbruck Festival of Early Music, performing Handel's Acis and Galatea on period instruments. His American debut came in 1979 when he conducted the Dallas Symphony Orchestra. He then became the lead conductor of Canada's CBC Vancouver Orchestra from 1980 to 1983. After his period with the CBC Vancouver Orchestra, Gardiner went to France. From 1983 to 1988 he was Music Director of the Opéra National de Lyon. During his period with the Opéra he founded an entirely new orchestra. During his time with the Opéra National de Lyon Gardiner was also Artistic Director of the Göttingen Handel Festival (1981 until 1990). In 1989 the Monteverdi Choir had its 25th anniversary, touring the world giving performances of Handel's oratorio "Israel in Egypt" and Bach's "Magnificat" among other works. In 1990, Gardiner formed a new period-instrument orchestra, the Orchestre Révolutionnaire et Romantique, to perform music of the 19th century. From 1991 until 1995 he was principal conductor of the North German Radio Symphony Orchestra.

Taken from Last.fm

800 listeners  ·  7,283 plays via Last.fm

On RadioStar

14
stations playing
6
countries
30
tracks tracked
most active station (The Russian Federation)

Radio Stations sorted by tracks on rotation

Classic
1 track on rotation
MP3 : 128
78 Likes

SUN Classique
1 track on rotation
MP3 : 128
26 Likes

Sir John Eliot Gardiner — Top 30 songs of 43

Artist Song title Like / Dislike
John Eliot Gardiner Scene 1. Cherub and Seraphim, unbodied forms (Shorus)
John Eliot Gardiner Monteverdi: Domine Ad Adiuvandum a 6 (1990)
John Eliot Gardiner Gloria
John Eliot Gardiner Monteverdi Choir, English Baroque Soloists
John Eliot Gardiner Don Juan : VIII Gavotte
John Eliot Gardiner Scene 2. Virtue my soul shall still embrace (Jephtha)
John Eliot Gardiner Scene 6. The smiling dawn of happy days (Iphis)
John Eliot Gardiner English Baroque Soloists/ Monteverdi Choir
John Eliot Gardiner IV- Gloria
John Eliot Gardiner Monteverdi Choir, English Baroque Soloists
John Eliot Gardiner Monteverdi Choir, English Baroque Soloists
John Eliot Gardiner Monteverdi Choir, English Baroque Soloists
John Eliot Gardiner Monteverdi Choir, English Baroque Soloists
John Eliot Gardiner Monteverdi Choir, English Baroque Soloists
John Eliot Gardiner VII- Gloria
John Eliot Gardiner Monteverdi Choir, English Baroque Soloists
John Eliot Gardiner Mozart: Idomeneo, re di Creta, K.366 / Act 1
John Eliot Gardiner Monteverdi Choir, English Baroque Soloists
John Eliot Gardiner Gloria
John Eliot Gardiner I- Kyrie
John Eliot Gardiner Monteverdi Choir, English Baroque Soloists
John Eliot Gardiner Monteverdi Choir, English Baroque Soloists
John Eliot Gardiner In The South (Alassio)
John Eliot Gardiner Can You Feel The Love Tonight
John Eliot Gardiner
John Eliot Gardiner English Baroque Soloists/ Monteverdi Choir
John Eliot Gardiner Cantata BWV 62 Num Komm der Heiden Heiland
John Eliot Gardiner Chorus, Et Exspecto Resurrectionem
John Eliot Gardiner Come, ye sons of Art Z 323 (1694)
John Eliot Gardiner Evangelist: Da kam Jesus mit ihnen zu einem Hofe
Scene 1. Cherub and Seraphim, unbodied forms (Shorus)
Monteverdi: Domine Ad Adiuvandum a 6 (1990)
Monteverdi Choir, English Baroque Soloists
Don Juan : VIII Gavotte
Scene 2. Virtue my soul shall still embrace (Jephtha)
Scene 6. The smiling dawn of happy days (Iphis)
English Baroque Soloists/ Monteverdi Choir
Monteverdi Choir, English Baroque Soloists
Monteverdi Choir, English Baroque Soloists
Monteverdi Choir, English Baroque Soloists
Monteverdi Choir, English Baroque Soloists
Monteverdi Choir, English Baroque Soloists
Monteverdi Choir, English Baroque Soloists
Mozart: Idomeneo, re di Creta, K.366 / Act 1
Monteverdi Choir, English Baroque Soloists
Monteverdi Choir, English Baroque Soloists
Monteverdi Choir, English Baroque Soloists
In The South (Alassio)
Can You Feel The Love Tonight
English Baroque Soloists/ Monteverdi Choir
Cantata BWV 62 Num Komm der Heiden Heiland
Chorus, Et Exspecto Resurrectionem
Come, ye sons of Art Z 323 (1694)
Evangelist: Da kam Jesus mit ihnen zu einem Hofe