Radio Caprice - Musique Concrete / Acousmatic / Electroacoustic [2] online radio
Radio Caprice - Musique Concrete / Acousmatic / Electroacoustic [2]
The Russian Federation 68 Likes
AAC+
: 320
http://radcap.ru/concrete.html
Radio Caprice - Musique Concrete / Acousmatic / Electroacoustic [2] is an exceptional online radio station that caters to the lovers of experimental and avant-garde sounds. With a specific focus on musique concrete, acousmatic, and electroacoustic genres, this radio station aims to captivate its listeners with unique and thought-provoking musical compositions.
The term "musique concrete" refers to a form of music that incorporates pre-recorded sounds, manipulated and transformed into intricate sound collages. It emphasizes the use of non-musical elements, such as everyday sounds or noises, to create unconventional compositions. With Radio Caprice's dedication to this genre, listeners can indulge themselves in a world of non-traditional sonic experiences that challenge the boundaries of conventional music.
Acousmatic music, on the other hand, focuses on the experience of sound itself rather than its source. Listeners are immersed in a sonic landscape where the origin of the sound is deliberately concealed, allowing them to explore and interpret sound in an abstract and immersive way. Radio Caprice's inclusion of this genre ensures a rich and diverse listening experience for those interested in exploring the more experimental side of music.
Additionally, Electroacoustic music incorporates both electronic and acoustic sound sources, blending traditional musical instruments with synthesized elements. This genre allows for a wide range of experimentation, with artists embracing technology to manipulate, modify, and reshape sounds in innovative and creative ways. Radio Caprice's inclusion of electroacoustic music ensures that listeners can explore the cutting edge of sound manipulation and electronic music composition.
Overall, Radio Caprice - Musique Concrete / Acousmatic / Electroacoustic [2] presents an opportunity for its listeners to engage with music that defies conventions and pushes the boundaries of what is considered "normal." With its carefully curated selection of musique concrete, acousmatic, and electroacoustic tracks, this online radio station invites its audience on a sonic journey that challenges preconceived notions of music and opens new doors to auditory exploration.
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The term "musique concrete" refers to a form of music that incorporates pre-recorded sounds, manipulated and transformed into intricate sound collages. It emphasizes the use of non-musical elements, such as everyday sounds or noises, to create unconventional compositions. With Radio Caprice's dedication to this genre, listeners can indulge themselves in a world of non-traditional sonic experiences that challenge the boundaries of conventional music.
Acousmatic music, on the other hand, focuses on the experience of sound itself rather than its source. Listeners are immersed in a sonic landscape where the origin of the sound is deliberately concealed, allowing them to explore and interpret sound in an abstract and immersive way. Radio Caprice's inclusion of this genre ensures a rich and diverse listening experience for those interested in exploring the more experimental side of music.
Additionally, Electroacoustic music incorporates both electronic and acoustic sound sources, blending traditional musical instruments with synthesized elements. This genre allows for a wide range of experimentation, with artists embracing technology to manipulate, modify, and reshape sounds in innovative and creative ways. Radio Caprice's inclusion of electroacoustic music ensures that listeners can explore the cutting edge of sound manipulation and electronic music composition.
Overall, Radio Caprice - Musique Concrete / Acousmatic / Electroacoustic [2] presents an opportunity for its listeners to engage with music that defies conventions and pushes the boundaries of what is considered "normal." With its carefully curated selection of musique concrete, acousmatic, and electroacoustic tracks, this online radio station invites its audience on a sonic journey that challenges preconceived notions of music and opens new doors to auditory exploration.
Radiostation playlist
| Artist | Song title | Like / Dislike | |
|---|---|---|---|
| Pauline Oliveros | Mnemonics IV | ||
| Reptilicus & The Hafler Trio | The Illicit Keyhole / Wave A Dead Chicken / Anamorphosis / Nattvilji Guos / Theolepsy | ||
| Pierre Henry | Psyche Rock (Chopped Up By Coldcut's Computer + Hex) | ||
| Joe Frawley | The Mermaid | ||
| Lieutenant Caramel | Expectation Et Banquet | ||
| Joe Frawley | I Think It Was | ||
| Lionel Marchetti and Yoko Higashi | Untitled 1 | ||
| Runzelstirn & Gurgelstock | Morx'ges Kotschlag | ||
| Valgeir Sigurdsson | Gone Not Forgotten | ||
| Tod Dockstader | Oh | ||
| Delia Derbyshire | The Dreams Tx | ||
| Electroacoustic Music | Track04 | ||
| Mathew Adkins | Sea Soundscape | ||
| Ivo Malec | Cantate Pour Elle, 1966 Francoise Kubler Soprano, Frederique Garnier Harpe | ||
| Pleq And Marihiko Hara | Bedroom Constellation | ||
| Holger Czukay | Boat-Woman-Song (edit) (1969) | ||
| Denis Smalley | Tides | ||
| Mark Templeton | A Distant Hum | ||
| Francois Bayle | L'Experience Acoustique | ||
| Artificial Memory Trace | 02:33 | ||
| Milton Babbit | Vision and Prayer | ||
| Illuha | Interstices 1 (Seiya) | ||
| Carl Stone | nyala: first section | ||
| The Residents | Spotted Pinto Bean | ||
| Runzelstirn & Gurgelstock | Hirnstamm, Kotloch Und Scheisse | ||
| Die Form Sadist School | Bacterium | ||
| Alvin Lucier | The Wire II | ||
| Etant Donnes | Aimant + Aimant - | ||
| Alvin Lucier with The Barton Workshop | A Tribute To James Tenney 5 | ||
| Joji Yuasa | My Blue Sky (No.1) |
Mnemonics IV
The Illicit Keyhole / Wave A Dead Chicken / Anamorphosis / Nattvilji Guos / Theolepsy
Psyche Rock (Chopped Up By Coldcut's Computer + Hex)
The Mermaid
Expectation Et Banquet
I Think It Was
Untitled 1
Morx'ges Kotschlag
Gone Not Forgotten
The Dreams Tx
Track04
Sea Soundscape
Cantate Pour Elle, 1966 Francoise Kubler Soprano, Frederique Garnier Harpe
Bedroom Constellation
Boat-Woman-Song (edit) (1969)
Tides
A Distant Hum
L'Experience Acoustique
02:33
Vision and Prayer
Interstices 1 (Seiya)
nyala: first section
Spotted Pinto Bean
Hirnstamm, Kotloch Und Scheisse
Bacterium
The Wire II
Aimant + Aimant -
A Tribute To James Tenney 5
My Blue Sky (No.1)