Bryn Terfel, Stephen Doughty, Orchestra of the Age of Enlightenment and Paul Daniel |
Felix Mendelssohn: Elijah, Op. 70, Pt. 1: Lord God of Abraham, Isaac and Israel |
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Bryn Terfel, Balcarras Crafoord, Swedish Radio Symphony Orchestra, Paul Daniel, Swedish Radio Choir and Arne Lundmark |
Puccini, Tosca, Act 1: Tre sbirri, una carrozza |
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Bryn Terfel, Mack Wilberg, Orchestra At Temple Square and Mormon Tabernacle Choir |
William G. Tomer: God Be With You Till We Meet Again |
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Bryn Terfel, Scottish Chamber Orchestra and Sir Charles Mackerras |
Handel:, Messiah: Behold I tell you |
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Bryn Terfel and Malcolm Martineau |
George Butterworth: A Shropshire Lad: Loveliest of Trees |
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Bryn Terfel, Gareth Jones, Orchestra of the Welsh National Opera, The Black Mountain Choir and The Risca Choir |
Traditional, Calon Lan |
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Bryn Terfel, Scottish Chamber Orchestra and Sir Charles Mackerras |
Handel:, Messiah: But who may abide the day of His coming |
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Bryn Terfel, Michele Pertusi, Mario Luperi, London Philharmonic Orchestra and Sir Georg Solti |
Mozart: Don Giovanni, K. 527, Act II: Ah! Ah! Ah! Questa è buona! |
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Gareth Jones, Orchestra of the Welsh National Opera and Bryn Terfel |
Traditional, Ar Lan Y Mor |
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Bryn Terfel, Roberto Scaltriti, Michele Pertusi, London Philharmonic Orchestra, Sir Georg Solti and Monica Groop |
Mozart: Don Giovanni, K. 527, Act I: Manco male, è partita |
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Bryn Terfel, London Symphony Orchestra and Barry Wordsworth |
Traditional, Morning has broken (Arranged by Chris Hazell) |
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Renée Fleming, Herbert Lippert, London Philharmonic Orchestra and Sir Georg Solti |
Mozart: Don Giovanni, K. 527, Act II: Crudele? Ah no! Mio bene! |
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Barry Wordsworth, London Symphony Orchestra and Bryn Terfel |
Sir Henry Rowley Bishop: Home sweet home |
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Aled Jones, Bryn Terfel, London Symphony Orchestra and Barry Wordsworth |
César Franck: Panis Angelicus (Arranged by Chris Hazell) |
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Cecilia Bartoli, Bryn Terfel, John Fisher, Orchestra dell'Accademia Nazionale di Santa Cecilia and Myung-Whun Chung |
Mozart: Così fan tutte, K. 588, Act 2: Passegiammo anche noi. |
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Sir Thomas Allen, Bryn Terfel, Academy of St Martin in the Fields and Sir Neville Marriner |
Sir Arthur Sullivan: The Yeomen of the Guard, Act 2: Hereupon We're Both Agreed |
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Bryn Terfel and Malcolm Martineau |
Ralph Vaughan Wiliams: Silent Noon |
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Michele Pertusi, Bryn Terfel, London Philharmonic Orchestra and Sir Georg Solti |
Mozart: Don Giovanni, K. 527, Act II: O statua gentilissima |
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Bryn Terfel, Michele Pertusi, London Philharmonic Orchestra and Sir Georg Solti |
Mozart: Don Giovanni, K. 527, Act II: Leporello! |
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Bryn Terfel and Malcolm Martineau |
George Butterworth:, A Shropshire Lad: Is My Team Ploughing? |
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Herbert Lippert, London Philharmonic Orchestra and Sir Georg Solti |
Mozart: Don Giovanni, K. 527, Act II: Il mio tesoro intanto |
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Miah Persson, Sir Charles Mackerras, Scottish Chamber Orchestra, Christine Rice and Bryn Terfel |
Mozart: Cosí fan tutte, ossia La scuola degli amanti, K. 588: Soave sia il vento |
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Bryn Terfel, Scottish Chamber Orchestra and Sir Charles Mackerras |
Handel:, Serse: Rec. Frondi tenere e belle |
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Herbert Lippert, London Philharmonic Orchestra and Sir Georg Solti |
Mozart: Don Giovanni, K. 527, Act I: Come mai creder deggio |
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Monica Groop, Bryn Terfel, Michele Pertusi, Roberto Scaltriti, London Philharmonic Orchestra and Sir Georg Solti |
Mozart: Don Giovanni, K. 527, Act I: Riposate, vezzose ragazze |
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Bryn Terfel and Malcolm Martineau |
Ivor Gurney: Five Elizabethan Songs (The Elizas): IV. Sleep |
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Cecilia Bartoli, Bryn Terfel, John Fisher, Orchestra dell'Accademia Nazionale di Santa Cecilia and Myung-Whun Chung |
Rossini: Il barbiere di Siviglia: Recit: Ebben, signor Figaro? |
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Bryn Terfel and Malcolm Martineau |
Gerald Finzi: Let Us Garlands Bring, Op. 18: Fear No. More the Heat O' the Sun |
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Monica Groop, Bryn Terfel, London Philharmonic Orchestra and Sir Georg Solti |
Mozart: Don Giovanni, K. 527, Act I: Là ci darem la mano |
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Michele Pertusi, London Philharmonic Orchestra, Sir Georg Solti, Ann Murray and Bryn Terfel |
Mozart: Don Giovanni, K. 527, Act I: Chi è là? |
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