William Byrd
William Byrd
Genres: renaissance, Classical, early music, english, choral
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About William Byrd
William Byrd (1540 or late 1539 –1623) was one of the most celebrated English composers in the Renaissance. He lived until well into the seventeenth century without writing music in the new Baroque fashion, but his superbly constructed keyboard works marked the beginning of the Baroque organ and harpsichord style. Byrd's life is interesting because of his Roman Catholic sympathies combined with his work in the court of the Anglican Queen Elizabeth I. He composed much music, if intermittently, for the Roman Catholic liturgy, particularly in his later years; the two volumes of Gradualia are a prime example. Possibly as a result of this he did not receive widespread recognition in his lifetime, but was very well respected among the Roman Catholic gentry. In the anti-Catholic frenzy following the 1605 Gunpowder Plot, the first volume of the Gradualia (1605), was banned in England under penalty of imprisonment, as indeed was all of his Catholic music; however, his Anglican music - such as the Short Service, and the Responses - has been sung in English cathedrals uninterrupted for the past four centuries.
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William Byrd — Top 30 songs of 42
| Artist | Song title | Like / Dislike | |
|---|---|---|---|
| William Byrd | Rowland | ||
| William Byrd | La Volta, Bk91 (Harpsichord Hb) | ||
| William Byrd | The Nynth Pavian, The Passinge Mesures, Bk2A (Harpsichord Hb) | ||
| William Byrd | All as a sea | ||
| William Byrd | The woods so wild (14 Variationen) | ||
| William Byrd | Ave verum corpus | ||
| William Byrd | The Barley Break, Bk92 (Harpsichord Rvn) | ||
| William Byrd | The Hunt's Up, Bk40 (Harpsichord Hb) | ||
| William Byrd | De lamentationes Hieremiae - compleet - Choir of New College Oxford o.l.v. Edward Higginbottom | ||
| William Byrd | The noble famous Queen | ||
| William Byrd | Susanna fair | ||
| William Byrd | ... The Galliarde, Bk31B (Muselar) | ||
| William Byrd | A Fancie, BK46 [first version] | ||
| William Byrd | A Fancie, For My Ladye Nevell, Bk25 [Second Version] (Harpsichord Hb) | ||
| William Byrd | A Voluntarie, for my Ladye Nevell, BK61 [first version] | ||
| William Byrd | Fantasia A 4 | ||
| William Byrd | Fantasia, BK62 [first version] | ||
| William Byrd | Hugh Ashton's Grownde, Bk20 (Muselar) | ||
| William Byrd | Liber Primus Sacrarum Cantionum: Ne Irascaris Domine | ||
| William Byrd | Pavana The Vi, Kinbrugh Good, Bk32A (Harpsichord Hb) | ||
| William Byrd | Truth At The First | ||
| William Byrd | Lullaby | ||
| William Byrd | What pleasure have great princes | ||
| William Byrd | Heavenly Harmonies | ||
| William Byrd | Mis (5-stemmig), "Mass for five voices" | ||
| William Byrd | O Lord, how long wilt thou forget | ||
| William Byrd | Sellenger's round (Arr.) | ||
| William Byrd | Libera me | ||
| William Byrd | Come to me, grief, for ever | ||
| William Byrd | In fields abroad |