Midnite Branch I

Midnite Branch I

About Midnite Branch I

Midnite's founders are ñGaindeî Ron Benjamin, keyboardist and musical director and his brother, Vaughn Benjamin, lead vocalist and principle songwriter. Together they have created a musical entity that has transformed reggae music and how we think about it. St. Croix, in the US Virgin Islands, is not necessarily American, and not at all Jamaican, but close enough to both coasts that the influences of each land is apparent upon first listen. Midnite does not "try" to be a reggae band, but instead they succeed where many others have not and that is in their originality and their determination to stay true to roots music. It's a very daunting task to find in these days of overdubbing, hip-hop and dancehall remixes into practically every modern reggae song that you hear. Midnite's resilience shines in their music because they have designed their songs to be raw and rootsy. The band has produced four solidly superb albums that showcase their ability to go toe to toe with the very best out of Jamaica. "Unpolished," "Ras Mek Peace (before Reverb without Delay)," "Jubilees of Zion," and their most recent offering "Seek Knowledge before Vengeance" & ñIntense Pressure (Dub)î are all very strong efforts. Midnite's sound has many Jamaicans wondering what parish are they from, and if they are not from Jamaica, then how dem a do it? How did they capture reggae so profoundly? A lot of that detail comes through in Midnite's steadfastly strong lyrical content with smooth yet simplistic melodies. Their message is clearly Rastafarian, and their devotion to spreading that message is firm and musically inspirational. They delve deep into subjects that are specific to these times and can address the distinct social problems of today. To complete their formula, they encompass heavy use of drum and bass patterns that are - reminiscent of the 70s classic period keeping a harmonious weave in their music. As an avid listener, their music is refreshing. The band spent roughly six years in Washington, DC, testing out their brand of reggae on whomever would listen, and before long, they had a consistent following that trekked wherever the band played. Their DC shows mirrored going to church--getting cleansed by their music in some of the raunchiest clubs. Most nights the clubs would overflow with people to the point of crowd control--sweat dripping, elbow pushing, and toe stepping. There was always a sincerity in their approach to please the audience, despite the struggles they were going through to break the mold. The regulars and non regulars alike would come just to hear the band, and often the crowd would be singing and dancing so much, they'd be begging for an encore before closing their set for the evening. Every night was like that and it became apparent to the band that in order for them to graduate to another level in this business they would have to leave DC. In 1999, Midnite left DC to return to St. Croix. DC has not been the same since--no other band has come on the scene to replace or fill their shoes; it became apparent to the reggae regulars that we had witnessed a star rising. And as frequenters of their shows, their absence left a deep impact on the reggae scene here. It's not often talent comes along and you're able to spot the essence of stardom when it appears. Fast forward to 2002 and Midnite has successfully produced their third and fourth & Fifth album "Jubilees of Zion" and "Seek Knowledge before Vengeanceî & ñIntense Pressure." They have regrouped their promotion and marketing departments and are now re-introducing themselves to the larger world. No longer a "local" talent, they are a God-given talent that will go wherever the Most High will carry them. The band has been able to transcend to this level through sheer word of mouth, for their music speaks for itself.

Taken from Last.fm

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