JOHANN SEBASTIAN BACH (1685-1750)

JOHANN SEBASTIAN BACH (1685-1750)

Genres: Classical, baroque, instrumental, german, composers

About JOHANN SEBASTIAN BACH (1685-1750)

Johann Sebastian Bach (31 March 1685 – 28 July 1750) was a German composer and musician of the late Baroque period. He composed a wide range of music across various instruments and forms, including orchestral works such as the Brandenburg Concertos; solo instrumental pieces like the cello suites and the sonatas and partitas for solo violin; keyboard compositions including the Goldberg Variations and The Well-Tempered Clavier; organ works such as the Schübler Chorales and the Toccata and Fugue in D minor; and choral music including the St Matthew Passion and the Mass in B minor. Since the 19th century, Bach has been recognised as an influential figure in Western classical music. Bach was born into a family with several musicians. After becoming an orphan at the age of 10, he lived with his eldest brother Johann Christoph and continued his musical studies in Lüneburg. He returned to Thuringia in 1703, working in various positions for Protestant churches in Arnstadt and Mühlhausen, and later at courts in Weimar and Köthen. In 1723, he was appointed cantor at St Thomas Church in Leipzig, where he composed for local churches and the university's student ensemble Collegium Musicum. He began publishing keyboard and organ music in 1726. During his career, Bach experienced some difficulties in his professional relationships. In 1736, Augustus III of Poland granted him the title of court composer. In his later years, Bach revised and expanded many earlier works. He died in 1750 following complications from eye surgery. Bach had 20 children with two wives, Maria Barbara and Anna Magdalena, with 10 surviving into adulthood. Four of his sons became composers. Bach's work incorporates German musical traditions and techniques such as counterpoint, harmonic and motivic organisation, and includes influences from Italian and French music. His output comprises hundreds of cantatas, both sacred and secular, as well as Latin church music, Passions, oratorios, and motets. He frequently used Lutheran hymns in his vocal music, including four-part chorales and sacred songs. His compositions cover organ and other keyboard instruments, concertos for violin and harpsichord, and chamber and orchestral suites. His music often employs contrapuntal methods such as canon and fugue. During the 18th century, Bach was mainly known as an organist, and his keyboard works, such as The Well-Tempered Clavier, were valued for their educational aspects. The 19th century brought renewed interest in his music, with biographies published and his complete works printed. Scholarship on Bach has continued through dedicated periodicals, catalogues such as the Bach-Werke-Verzeichnis, and critical editions. His music has been popularised through arrangements like "Air on the G String" and "Jesu, Joy of Man's Desiring," as well as recordings, including complete collections released for the 250th anniversary of his death.

Taken from Last.fm

2,512,878 listeners  ·  95,909,100 plays via Last.fm

On RadioStar

1
station playing
1
country
40
tracks tracked
most active station (The United Kingdom Of Great Britain And Northern Ireland)

JOHANN SEBASTIAN BACH (1685-1750) — Top 30 songs of 40

Artist Song title Like / Dislike
JOHANN SEBASTIAN BACH (1685-1750) Allegro [Ufb]
JOHANN SEBASTIAN BACH (1685-1750) Fuge in C minor (BWV 574) [UAm]
JOHANN SEBASTIAN BACH (1685-1750) Prelude and Fugue in A minor (BWV 551) [Uw6]
JOHANN SEBASTIAN BACH (1685-1750) Toccata and Fugue in D minor (BWV 565) [UtM]
JOHANN SEBASTIAN BACH (1685-1750) Wo soil ich fliehen hin (BWV 646) [UiY]
JOHANN SEBASTIAN BACH (1685-1750) Toccata and Fugue in D minor (BWV 565) [3gt]
JOHANN SEBASTIAN BACH (1685-1750) Prelude and Fugue in E minor (BWV 548) [3kk]
JOHANN SEBASTIAN BACH (1685-1750) Adagio [Uw7]
JOHANN SEBASTIAN BACH (1685-1750) Partita Diversa Sopra (BWV 766) [VZS]
JOHANN SEBASTIAN BACH (1685-1750) Affettuoso [Uio]
JOHANN SEBASTIAN BACH (1685-1750) Allegro Assai [UwN]
JOHANN SEBASTIAN BACH (1685-1750) Prelude and Fugue in C minor (BWV 549) [Ufa]
JOHANN SEBASTIAN BACH (1685-1750) Andante [Uvk]
JOHANN SEBASTIAN BACH (1685-1750) Canzona in D minor (BWV 588) [UlW]
JOHANN SEBASTIAN BACH (1685-1750) Prelude and Fugue in G (BWV 541) [Uxc]
JOHANN SEBASTIAN BACH (1685-1750) Adagio ma non troppo [39Q]
JOHANN SEBASTIAN BACH (1685-1750) Affettuoso [3ai]
JOHANN SEBASTIAN BACH (1685-1750) Allegro Assai [3k2]
JOHANN SEBASTIAN BACH (1685-1750) Allegro [3mH]
JOHANN SEBASTIAN BACH (1685-1750) Allegro [3md]
JOHANN SEBASTIAN BACH (1685-1750) Allegro [3n4]
JOHANN SEBASTIAN BACH (1685-1750) Allegro moderato [3lA]
JOHANN SEBASTIAN BACH (1685-1750) Andante [3iD]
JOHANN SEBASTIAN BACH (1685-1750) Aria in F Major (BWV 587) [3nw]
JOHANN SEBASTIAN BACH (1685-1750) Meine Seele erhebet den Herm (BWV 648) [3g1]
JOHANN SEBASTIAN BACH (1685-1750) Menuetto [3e4]
JOHANN SEBASTIAN BACH (1685-1750) Orchestral Suite No.3 in D major (Air on a G string) (BWV 1068) [3mu]
JOHANN SEBASTIAN BACH (1685-1750) Partita Diversa Sopra (BWV 766) [3c5]
JOHANN SEBASTIAN BACH (1685-1750) Prelude and Fugue in A minor (BWV 551) [3jm]
JOHANN SEBASTIAN BACH (1685-1750) Prelude and Fugue in C (BWV 545) [3d0]
Fuge in C minor (BWV 574) [UAm]
Prelude and Fugue in A minor (BWV 551) [Uw6]
Toccata and Fugue in D minor (BWV 565) [UtM]
Wo soil ich fliehen hin (BWV 646) [UiY]
Toccata and Fugue in D minor (BWV 565) [3gt]
Prelude and Fugue in E minor (BWV 548) [3kk]
Partita Diversa Sopra (BWV 766) [VZS]
Prelude and Fugue in C minor (BWV 549) [Ufa]
Canzona in D minor (BWV 588) [UlW]
Prelude and Fugue in G (BWV 541) [Uxc]
Adagio ma non troppo [39Q]
Aria in F Major (BWV 587) [3nw]
Meine Seele erhebet den Herm (BWV 648) [3g1]
Orchestral Suite No.3 in D major (Air on a G string) (BWV 1068) [3mu]
Partita Diversa Sopra (BWV 766) [3c5]
Prelude and Fugue in A minor (BWV 551) [3jm]
Prelude and Fugue in C (BWV 545) [3d0]