East Blues Experience & Carey Bell

East Blues Experience & Carey Bell

Genres: blues, rock, harmonica, blues rock, Contemporary Blues

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About East Blues Experience & Carey Bell

East Blues Experience (Below was translated from German to English using the Google translator application. You can read the original text here: East Blues Experience) EAST BLUES EXPERIENCE was founded in 1990 by guitarist and singer Peter Schmidt in Berlin. The following year, drummer Ronny Dehn joined the band, and bassist Jäcki Reznicek completed the line-up in 1994, with the trio setting off sharply from then on. The news of the quality of this new band spread rapidly, so that EAST BLUES EXPERIENCE not only increasingly successful toured in Germany, but already in 1994 at the then largest Scandinavian Blues Festival (Djurs Bluesland) occurred in Denmark. The trio appeared like an overseas cultural import anyway and was therefore hired by American and British blues musicians, such as Carey Bell, Big Golden Wheeler or Johny Mars, as a backing band for their Germany appearances. An enthusiastic audience and increasing critical acclaim caused EAST BLUES EXPERIENCE and other top-class musicians to expand into the ten-member EAST BLUES & SOUL EXPERIENCE BIG BAND. DEUTSCHLANDRADIO recorded a concert in Stralsund in October 2001 in order to present it to a large audience. The sound of this extraordinary big band was recorded on some songs of the album "East Blues Experience" released in 2000, which was already the third album of EAST BLUES EXPERIENCE, but when the band's studio production caught the attention of experts for the first time. It should remain for the time being the only release of the trios Schmidt, Reznicek, Dehn, because in the year 2002 their ways parted after eight years together. The band released the album "Red Ballon" in 2003 as the starting point for a new round of EAST BLUES EXPERIENCE. There were now four of them on the road and next to Peter Schmidt and Ronny Dehn Rainer Engelmann (bass) and Axel Merseburger (guitar) were on stage. Although EAST BLUES EXPERIENCE played land-based with continued success, in 2005 the point was reached where each of the four musicians wanted to pursue new musical goals. The band said goodbye to their fans. But for a long time none of the four withstood the EAST BLUES EXPERIENCE abstinence, and so in 2007, with great enthusiasm, the album "V10" was recorded and booked for the first time in the history of the band a time-limited tour with 36 concerts. In the following years, EAST BLUES EXPERIENCE played few single concerts. And it was exactly in this time that one of the biggest experiences of the band so far was: the performance at the "Nakusp Musicfest" in Canada in 2009. Then it was a little quieter for EAST BLUES EXPERIENCE. Peter Schmidt, Ronny Dehn and Rainer Engelmann made musical trips to other bands or were on solo paths on the way. Ronny has been playing together again with Jäcki Reznicek in Germany's very successful band SILLY since 2006, and so it happened that EAST BLUES EXPERIENCE took a break from 2010 to 2014. Since the summer of 2014 it was clear that EAST BLUES EXPERIENCE will go on tour again - with family growth. In the meantime, a young musician grew up at the side of the band, who now belongs firmly to it. EAST BLUES EXPERIENCE - these are now Peter Schmidt, Jäcki Reznicek, Ronny Dehn and Adrian Dehn. In this cast also the EP "The Day" was added. For the first time, the band presented a mix of German and English songs. In 2015, EAST BLUES EXPERIENCE was finally back live. In the fall of 2017, the band ties in with it. Discography 1991 EBE (LP) - Turtle Music 1994 Good Understanding (with Carey Bell) 2000 East Blues Experience MARA Records 2002 Red Balloon - MARA Records 2007 V10 - MARA Records 2014 The Day - ZUG Records Website: East Blues Experience Carey Bell Quotes "Raucous and exuberant in the great Chicago tradition ... tender introspection, emotional complexity, and the kind of sensitivity and tonal control a lot of us thought had died with Big Walter Horton."-- LIVING BLUES "Bell has set the mark for the harp kings to beat. Stunningly great, haunting." -- ASSOCIATED PRESS Biography Blues harmonica legend Carey Bell was one of the very few players today who didn't learn his craft by listening to old records, but by studying directly under the masters. "Little Walter, he showed me a lot of things," said Bell, "but Big Walter, he was crazy. He did all kinds of shit other harp players couldn't do." And like his teachers Big Walter Horton, Little Walter Jacobs and Sonny Boy Williamson II -- each with a sound of his own -- Bell was inspired to forge his own style. It didn't take long for Bell to develop his signature "chopped" harmonica phrasing and deep-blues vocal attack. A veteran of both Muddy Waters' and Willie Dixon's bands as well as a searing solo artist with chops to burn, Bell's classic yet contemporary, funky yet subtle and deeply soulful blues placed him firmly on the short list of blues harmonica superstars. Bell's final solo album, GOOD LUCK MAN (AL 4854), picked up right where his critically acclaimed release, DEEP DOWN (AL 4828), left off. Along with his friend and musical partner, guitarist Steve Jacobs, GOOD LUCK MAN is a non-stop ride through 14 tough blues, ranging from inspired readings of Muddy's "My Love Strikes Like Lightning," Willie Dixon's "I'm A Business Man" (a song made famous by Little Walter) and Big Walter Horton's "Hard Hearted Woman" to six Bell originals including "Going Back To Mississippi," "Teardrops" and the smoking instrumental "Bell Hop." Recorded in Chicago and produced by Bell, guitarist Steve Jacobs, Alligator president Bruce Iglauer and dj/harp player Scott Dirks, GOOD LUCK MAN finds Bell's big tone and gritty vocals leading two distinctly different bands. On half the album, Bell's road-tested touring band fuels the proceedings with classic blues grooves. The other half finds Bell in a more contemporary setting, adding the funky rhythms of his old friends, including bassist Johnny B. Gayden (Albert Collins) and drummer Willie Hayes (Luther Allison). Put together, these two bands make GOOD LUCK MAN one great CD. Carey Bell Harrington was born in Macon, Mississippi on November 14, 1936. A fan of Louis Jordan, Bell originally wanted a saxophone. Economic realities forced his grandfather to buy him a harmonica instead. He taught himself to play harmonica by the time he was eight, and began playing professionally with his godfather, pianist Lovie Lee, when he was 13. In 1956, Lee convinced Carey that Chicago was the place to be for aspiring bluesmen, and on September 12, 1956 they arrived. Almost immediately, Bell went to see Little Walter perform at the Club Zanzibar at 14th and Ashland. The two became friends and Walter delighted in showing the youngster some of his tricks. Carey went on to meet and learn from Sonny Boy Williamson II, but it was Big Walter Horton who really bowled him over. "I liked that big tone he had," recalls Bell, "didn't nobody else have that." Big Walter became Bell's close friend and musical mentor. Carey learned his lessons well but by the late 1950s and early 1960s the gigs were drying up for harp players as the electric guitar began to take over as the predominant instrument of Chicago blues. Bell decided to increase his worth by becoming a bass player (learning the ropes from Hound Dog Taylor). He quickly mastered the instrument and began getting gigs as a bassist with Honeyboy Edwards, Johnny Young, Eddie Taylor, Earl Hooker and Big Walter. While playing bass in Big Walter's band, Bell studied every harp trick in the book first-hand from one of the all-time great harmonica players. Bell, back on harp full-time, recorded behind Earl Hooker in 1968 for Arhoolie. His friend Charlie Musselwhite brought him over to Bob Koester at Delmark Records in 1969, who promptly signed Bell and recorded Carey Bell's Blues Harp. Bell spent 1970-1971 traveling and recording with Muddy Waters (he can be heard on Muddy's THE LONDON SESSIONS and UNK IN FUNK albums on Chess). Willie Dixon chose Bell for the featured role in his Chicago Blues All-Stars, with whom Bell worked regularly throughout the 1970s, both touring and recording. Even though Dixon kept Carey busy, Bell still found time for his own projects. In 1972 he teamed up with his friend Big Walter and recorded what was to be Alligator Records' second-ever release, BIG WALTER HORTON WITH CAREY BELL (AL 4702). In 1973 he made a solo album for ABC Bluesway and was featured in 1978 on Alligator's Grammy-nominated LIVING CHICAGO BLUES series (both with his own band and playing behind Lovie Lee). By the 1980s Bell was already an established giant among blues harmonica players. He recorded albums as a leader and as a sideman for a variety of labels both in the United States and Europe, and was constantly playing live. In 1990 Bell, along with fellow harpslingers Junior Wells, James Cotton and Billy Branch, got together and recorded the Blues Music Award-winning Alligator album, HARP ATTACK (AL 4790). Bell's hot playing and deep blues vocals helped make the recording a modern blues classic. And the record has become one of Alligator's best-sellers. In 1995, Bell's very first full length solo album on Alligator, DEEP DOWN, secured his reputation as a monster harpist. The Village Voice called Bell, "a master of the double reed harmonica." Option said, "Bell's harp solos are huge ... full of life on the road and classic blues themes ... sung with conviction." Bell's wailing harmonica and pleading vocals give every song on the album a deep soulfulness and classic blues feel while adding urgent, funky grooves to keep things contemporary. 1997's GOOD LUCK MAN kept Bell’s blues fire burning red hot as he continued to tour around the country. 2004's SECOND NATURE featured Bell, joined by his son, guitarist Lurrie Bell, in an all-acoustic setting. All Music Guide called SECOND NATURE "Timeless, deep Delta blues...a quiet gem.” Bell died of heart failure on May 6, 2007. Alligator Records: Carey Bell

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