Radio Caprice - Musique Concrete / Acousmatic / Electroacoustic [3] online radio
Radio Caprice - Musique Concrete / Acousmatic / Electroacoustic [3]
The Russian Federation 91 Likes
AAC+
: 320
http://radcap.ru/concrete.html
Radio Caprice - Musique Concrete / Acousmatic / Electroacoustic [3] is a unique online radio station that specializes in the genres of Musique Concrete, Acousmatic, and Electroacoustic music. These genres are known for their avant-garde and experimental nature, pushing the boundaries of traditional music and exploring new sonic territories.
Musique Concrete is a style of music composition that incorporates recorded sounds, often natural or everyday sounds, as musical materials. These sounds are manipulated and transformed through various techniques such as editing, looping, and layering to create a collage-like composition that challenges traditional notions of melody and harmony.
Acousmatic music, on the other hand, focuses on the perception of sound rather than the source of the sound. It explores the relationship between sound, space, and the listener's perception, often using abstract and non-referential sounds to create immersive and spatial compositions.
Electroacoustic music combines electronic and acoustic elements, blurring the lines between traditional instrumental music and electronic manipulation. It often integrates electronic sound synthesis, digital processing, and live performance techniques to create dynamic and inventive compositions.
Radio Caprice - Musique Concrete / Acousmatic / Electroacoustic [3] offers a rich and diverse selection of music from these genres, featuring both well-known artists and emerging talents. The station provides a platform for listeners to explore and appreciate the innovative and experimental nature of Musique Concrete, Acousmatic, and Electroacoustic music.
With a user-friendly website, Radio Caprice - Musique Concrete / Acousmatic / Electroacoustic [3] allows listeners to easily navigate and discover new tracks and artists. The station's curated playlists and recommended tracks provide a comprehensive and engaging listening experience for enthusiasts of avant-garde and experimental music.
Overall, Radio Caprice - Musique Concrete / Acousmatic / Electroacoustic [3] is a platform that celebrates the artistic and exploratory nature of Musique Concrete, Acousmatic, and Electroacoustic music. Through its unique selection of tracks and commitment to promoting these genres, the station offers a valuable resource for anyone interested in pushing the boundaries of traditional music and discovering new and innovative sounds.
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Musique Concrete is a style of music composition that incorporates recorded sounds, often natural or everyday sounds, as musical materials. These sounds are manipulated and transformed through various techniques such as editing, looping, and layering to create a collage-like composition that challenges traditional notions of melody and harmony.
Acousmatic music, on the other hand, focuses on the perception of sound rather than the source of the sound. It explores the relationship between sound, space, and the listener's perception, often using abstract and non-referential sounds to create immersive and spatial compositions.
Electroacoustic music combines electronic and acoustic elements, blurring the lines between traditional instrumental music and electronic manipulation. It often integrates electronic sound synthesis, digital processing, and live performance techniques to create dynamic and inventive compositions.
Radio Caprice - Musique Concrete / Acousmatic / Electroacoustic [3] offers a rich and diverse selection of music from these genres, featuring both well-known artists and emerging talents. The station provides a platform for listeners to explore and appreciate the innovative and experimental nature of Musique Concrete, Acousmatic, and Electroacoustic music.
With a user-friendly website, Radio Caprice - Musique Concrete / Acousmatic / Electroacoustic [3] allows listeners to easily navigate and discover new tracks and artists. The station's curated playlists and recommended tracks provide a comprehensive and engaging listening experience for enthusiasts of avant-garde and experimental music.
Overall, Radio Caprice - Musique Concrete / Acousmatic / Electroacoustic [3] is a platform that celebrates the artistic and exploratory nature of Musique Concrete, Acousmatic, and Electroacoustic music. Through its unique selection of tracks and commitment to promoting these genres, the station offers a valuable resource for anyone interested in pushing the boundaries of traditional music and discovering new and innovative sounds.
Radiostation playlist
| Artist | Song title | Like / Dislike | |
|---|---|---|---|
| Francois Bayle | Vibrations Composees | ||
| Illuha | Vertical Staves Of Line Drawings And Pointillism | ||
| Conrad Schnitzler & Giancarlo Toniutti | Rasclen Dongje-Feral | ||
| People Like Us / Wobbly / Matmos | Tremble Valley Peady | ||
| Artificial Memory Trace | Skeletune(s) | ||
| Dick Raaijmakers | De Lange Mars | ||
| Mitglieder des SWF-SO Baden-Baden, Ernest Bour, Experimentalstudio Freiburg | Variaciones Sobre La Resonancia De Un Grito fur 11 Instrumente, Tonband und live-elektronische Klangumwandling | ||
| Pierre Henry | Histoire Naturelle Ou Les Roues De La Terre: Les Courbures Du Globe | ||
| Francisco Lopez | Les Paroles M'Ont Laisse Indifferent | ||
| Runzelstirn & Gurgelstock | Die Schonheit Bedarf Des Zartlichen Hauchs Zur Reinen Entfaltung | ||
| Robert Ashley | String Quartet Describing The Motions Of Large Real Bodies | ||
| Valgeir Sigurdsson | A Symmetry | ||
| David Rosenboom | B.C.-A.D. 1 (The Moon Landing) (1969) | ||
| Varios | Obst, Michael | ||
| Teho Teardo | Attonita (feat. The Balanescu Quartet) | ||
| Pierre Henry | Sequence 7: Les Astres Tomberent | ||
| Thomas Koner | Polynya I | ||
| Jean Claude Risset | Aqua | ||
| Pierre Henry | Histoire Naturelle Ou Les Roues De La Terre: Primieres Funerailles | ||
| Thomas Koner | Polynya II | ||
| Pauline Oliveros | The Day I Disconnected The Erase Head And Forgot To Reconnect It | ||
| Sebastian Lexer | Opposition | ||
| Arthur Woodbury | Velox (1970) | ||
| Robert Normandeau | Spleen | ||
| Runzelstirn & Gurgelstock With Masonna | Untitled | ||
| Robert Scott Thompson | Sotto | ||
| Alvin Lucier | The Wire I | ||
| Paul Schutze | The Black Lake | ||
| Graham Lambkin & Jason Lescalleet | Gold Interior | ||
| Zavoloka | Crystal |
Vibrations Composees
Vertical Staves Of Line Drawings And Pointillism
Rasclen Dongje-Feral
Tremble Valley Peady
Skeletune(s)
De Lange Mars
Variaciones Sobre La Resonancia De Un Grito fur 11 Instrumente, Tonband und live-elektronische Klangumwandling
Histoire Naturelle Ou Les Roues De La Terre: Les Courbures Du Globe
Les Paroles M'Ont Laisse Indifferent
Die Schonheit Bedarf Des Zartlichen Hauchs Zur Reinen Entfaltung
String Quartet Describing The Motions Of Large Real Bodies
A Symmetry
B.C.-A.D. 1 (The Moon Landing) (1969)
Obst, Michael
Attonita (feat. The Balanescu Quartet)
Sequence 7: Les Astres Tomberent
Polynya I
Aqua
Histoire Naturelle Ou Les Roues De La Terre: Primieres Funerailles
Polynya II
The Day I Disconnected The Erase Head And Forgot To Reconnect It
Opposition
Velox (1970)
Spleen
Sotto
The Wire I
The Black Lake
Gold Interior
Crystal