Impressionism - Radio Caprice online radio
Impressionism - Radio Caprice
The Russian Federation 10 Likes
AAC+
: 320
http://www.radcap.ru/impressionism.html
'Impressionism - Radio Caprice' is an online radio station dedicated to the genre of Impressionism in classical music. Impressionism in music emerged as a parallel movement to Impressionism in visual arts, characterized by its focus on creating a sensory and atmospheric experience through music. While the genre is primarily associated with classical composers such as Claude Debussy and Maurice Ravel, it also includes works by other composers who were influenced by Impressionism.
The radio station 'Impressionism - Radio Caprice' features a carefully curated collection of Impressionist music, allowing listeners to delve into the intricate and evocative world of this genre. The station plays a diverse range of compositions, including well-known masterpieces as well as lesser-known works that deserve recognition.
With its specialization in Impressionism, 'Impressionism - Radio Caprice' offers a unique listening experience for music enthusiasts who appreciate the subtle nuances, shimmering textures, and dreamlike qualities associated with this genre. Whether it's the impressionistic harmonies, shifting tonalities, or delicate melodies, the radio station aims to capture the essence of Impressionism in music and bring it to a wider audience.
Listening to 'Impressionism - Radio Caprice' provides an immersive journey through the different aspects of Impressionist music. The carefully selected repertoire allows listeners to explore a wide range of emotions and experiences, from the tranquil and introspective to the vibrant and vivid. Whether it's a languid piano piece, a lush orchestral composition, or a whimsical chamber work, the station ensures that each piece represents the unique voice and character of Impressionism.
The online platform of 'Impressionism - Radio Caprice' makes it accessible to listeners around the world, allowing them to tune in at any time and from any location. The high-quality streaming ensures a seamless listening experience, making it convenient and enjoyable to explore the diverse world of Impressionist music.
Overall, 'Impressionism - Radio Caprice' serves as a valuable resource for those seeking to dive deeper into Impressionist music, as well as a platform for discovering new and exciting composers and compositions within the genre. With its dedication to promoting and preserving Impressionism in classical music, the radio station provides a unique and enriching musical experience for its listeners.
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The radio station 'Impressionism - Radio Caprice' features a carefully curated collection of Impressionist music, allowing listeners to delve into the intricate and evocative world of this genre. The station plays a diverse range of compositions, including well-known masterpieces as well as lesser-known works that deserve recognition.
With its specialization in Impressionism, 'Impressionism - Radio Caprice' offers a unique listening experience for music enthusiasts who appreciate the subtle nuances, shimmering textures, and dreamlike qualities associated with this genre. Whether it's the impressionistic harmonies, shifting tonalities, or delicate melodies, the radio station aims to capture the essence of Impressionism in music and bring it to a wider audience.
Listening to 'Impressionism - Radio Caprice' provides an immersive journey through the different aspects of Impressionist music. The carefully selected repertoire allows listeners to explore a wide range of emotions and experiences, from the tranquil and introspective to the vibrant and vivid. Whether it's a languid piano piece, a lush orchestral composition, or a whimsical chamber work, the station ensures that each piece represents the unique voice and character of Impressionism.
The online platform of 'Impressionism - Radio Caprice' makes it accessible to listeners around the world, allowing them to tune in at any time and from any location. The high-quality streaming ensures a seamless listening experience, making it convenient and enjoyable to explore the diverse world of Impressionist music.
Overall, 'Impressionism - Radio Caprice' serves as a valuable resource for those seeking to dive deeper into Impressionist music, as well as a platform for discovering new and exciting composers and compositions within the genre. With its dedication to promoting and preserving Impressionism in classical music, the radio station provides a unique and enriching musical experience for its listeners.
Radiostation playlist
| Artist | Song title | Like / Dislike | |
|---|---|---|---|
| Alessandra Celletti | Gnossiennes No.1 | ||
| Abel Decaux | Clairs De Lune No.3 (Le Cimetie?re) | ||
| Maurice Ravel | Valses nobles et sentimentales II. Assez lent | ||
| EuropaChorAkademie, Orchestre Philharmonique du Luxembourg, Bramwell Tovey | Aeneas, Op. 54: I. Prelude | ||
| Lorin Maazel | Bolero, ballet | ||
| Hakon Austbo | 3 Sarabandes (1887) No.2 | ||
| Quatuor Champeil | Quatuor a cordes, Op. 112: II. Jeu | ||
| Cyril Scott | Neptune | ||
| Ancient Airs and Dances, Suite No.1 P.109 | III. Anon: Villanella | ||
| Bohemia Chamber Philharmonic | 2 Preludes posthumes et une gnossienne (after E. Satie) : Premier Prelude du Nazareen | ||
| Maurice Ravel | Rapsodie espagnole | ||
| Etienne Plasman | Sonata da camera for flute, cello & piano, Op. 48: 3. Finale | ||
| Slovak Radio Symphony Orchestra | D'apres Le Roman de la Momie: I. Thebes: Rentree triomphale du Pharaon | ||
| Stephanie McCallum | First-Love, Op. 6, | ||
| Bojan Gorisek | Satie | ||
| Erik Satie | Ogives: Ogive No. 1 (1889) | ||
| Alexander Scriabin | Preparation for the Final Mystery, Part III Transfiguration | ||
| Erik Satie | Hymne | ||
| Orchestre Philharmonique Royal de Liege, John Neschling | Impressioni brasiliane | ||
| E. Satie | RELACHE | ||
| Maurice Ravel (1875 | 1937) | ||
| Ravel, Maurice (1875-1937) | Le Tombeau de Couperin | ||
| Orchestre National de France, Eliahu Inbal | Daphnis et Chloe (1909-1912): 2-eme Partie: Danse suppliante de Chloe | ||
| Maurice Ravel | Minnesota Orchestra / Ma Mere l'Oye | ||
| Katia et Marielle Labeque | Le Reveil de la mariee | ||
| James Sedares, New Zealand Symphony Orchestra, Alexa Still, flute | Evocations: Renouveau (Springtime) | ||
| Joseph-Guy Ropartz | V. Le jardin au crepuscule... | ||
| Henri Demarquette, Orchestre National de Lorraine, Jacques Mercier | Introit, recit et conge, Op. 113 | ||
| Szymanowski | Bunte Lieder (Colorfull songs), Op. 22 | ||
| Debussy (Gordon Fergus-Thompson) | Berceuse heroique |
Gnossiennes No.1
Clairs De Lune No.3 (Le Cimetie?re)
Valses nobles et sentimentales II. Assez lent
Aeneas, Op. 54: I. Prelude
Bolero, ballet
3 Sarabandes (1887) No.2
Quatuor a cordes, Op. 112: II. Jeu
Neptune
III. Anon: Villanella
2 Preludes posthumes et une gnossienne (after E. Satie) : Premier Prelude du Nazareen
Rapsodie espagnole
Sonata da camera for flute, cello & piano, Op. 48: 3. Finale
D'apres Le Roman de la Momie: I. Thebes: Rentree triomphale du Pharaon
First-Love, Op. 6,
Satie
Ogives: Ogive No. 1 (1889)
Preparation for the Final Mystery, Part III Transfiguration
Hymne
Impressioni brasiliane
RELACHE
1937)
Le Tombeau de Couperin
Daphnis et Chloe (1909-1912): 2-eme Partie: Danse suppliante de Chloe
Minnesota Orchestra / Ma Mere l'Oye
Le Reveil de la mariee
Evocations: Renouveau (Springtime)
V. Le jardin au crepuscule...
Introit, recit et conge, Op. 113
Bunte Lieder (Colorfull songs), Op. 22
Berceuse heroique