Impressionism - Radio Caprice online radio
Impressionism - Radio Caprice
The Russian Federation 10 Likes
AAC+
: 320
http://www.radcap.ru/impressionism.html
'Impressionism - Radio Caprice' is an online radio station dedicated to the genre of Impressionism in classical music. Impressionism in music emerged as a parallel movement to Impressionism in visual arts, characterized by its focus on creating a sensory and atmospheric experience through music. While the genre is primarily associated with classical composers such as Claude Debussy and Maurice Ravel, it also includes works by other composers who were influenced by Impressionism.
The radio station 'Impressionism - Radio Caprice' features a carefully curated collection of Impressionist music, allowing listeners to delve into the intricate and evocative world of this genre. The station plays a diverse range of compositions, including well-known masterpieces as well as lesser-known works that deserve recognition.
With its specialization in Impressionism, 'Impressionism - Radio Caprice' offers a unique listening experience for music enthusiasts who appreciate the subtle nuances, shimmering textures, and dreamlike qualities associated with this genre. Whether it's the impressionistic harmonies, shifting tonalities, or delicate melodies, the radio station aims to capture the essence of Impressionism in music and bring it to a wider audience.
Listening to 'Impressionism - Radio Caprice' provides an immersive journey through the different aspects of Impressionist music. The carefully selected repertoire allows listeners to explore a wide range of emotions and experiences, from the tranquil and introspective to the vibrant and vivid. Whether it's a languid piano piece, a lush orchestral composition, or a whimsical chamber work, the station ensures that each piece represents the unique voice and character of Impressionism.
The online platform of 'Impressionism - Radio Caprice' makes it accessible to listeners around the world, allowing them to tune in at any time and from any location. The high-quality streaming ensures a seamless listening experience, making it convenient and enjoyable to explore the diverse world of Impressionist music.
Overall, 'Impressionism - Radio Caprice' serves as a valuable resource for those seeking to dive deeper into Impressionist music, as well as a platform for discovering new and exciting composers and compositions within the genre. With its dedication to promoting and preserving Impressionism in classical music, the radio station provides a unique and enriching musical experience for its listeners.
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The radio station 'Impressionism - Radio Caprice' features a carefully curated collection of Impressionist music, allowing listeners to delve into the intricate and evocative world of this genre. The station plays a diverse range of compositions, including well-known masterpieces as well as lesser-known works that deserve recognition.
With its specialization in Impressionism, 'Impressionism - Radio Caprice' offers a unique listening experience for music enthusiasts who appreciate the subtle nuances, shimmering textures, and dreamlike qualities associated with this genre. Whether it's the impressionistic harmonies, shifting tonalities, or delicate melodies, the radio station aims to capture the essence of Impressionism in music and bring it to a wider audience.
Listening to 'Impressionism - Radio Caprice' provides an immersive journey through the different aspects of Impressionist music. The carefully selected repertoire allows listeners to explore a wide range of emotions and experiences, from the tranquil and introspective to the vibrant and vivid. Whether it's a languid piano piece, a lush orchestral composition, or a whimsical chamber work, the station ensures that each piece represents the unique voice and character of Impressionism.
The online platform of 'Impressionism - Radio Caprice' makes it accessible to listeners around the world, allowing them to tune in at any time and from any location. The high-quality streaming ensures a seamless listening experience, making it convenient and enjoyable to explore the diverse world of Impressionist music.
Overall, 'Impressionism - Radio Caprice' serves as a valuable resource for those seeking to dive deeper into Impressionist music, as well as a platform for discovering new and exciting composers and compositions within the genre. With its dedication to promoting and preserving Impressionism in classical music, the radio station provides a unique and enriching musical experience for its listeners.
Radiostation playlist
| Artist | Song title | Like / Dislike | |
|---|---|---|---|
| Trio a cordes: Lento, molto espressivo | Trio a cordes: Lento, molto espressivo | ||
| Lyadov (M.Rapetti) | Shutka-Kadril' (Quadrille-Joke) (4 hands) | ||
| Florent Schmitt (1870 | 1958) | ||
| Orchestre National de Lyon, Jun Markl | Preludes, Book 1 (orch. Colin Matthews) | ||
| Charles Tomlinson Griffes | The Pleasure-Dome of Kubla Khan, Op. 8 | ||
| Choeur et Orchestre National de France | Eliahu Inbal | ||
| Massimiliano Damerini and Marco Rapetti (piano (4 hands) and two pianos) | Lindaraja (1901) | ||
| Manuel De Falla | Fantasia Baetica | ||
| Laurent Naouri | 2 Idylles, Op. 44: No. 2. Pan aimait Ekho (feat. Yann Beuron, Marie Devellereau & Billy Eidi) | ||
| Heitor Villa-Lobos | A Prole do Bebe No.2 | ||
| Bojan Gorisek | Satie | ||
| Jean-Yves Thibaudet (piano) | Jeux d'eau (1901) | ||
| Joseph-Guy Ropartz | Scherzo (1916) | ||
| Manuel De Falla | Cuatro piezas espanolas | ||
| Orchestre National de Lyon, Jun Markl | La boite a joujoux (orch. Debussy and Andre Caplet) | ||
| Marc-Andre Hamelin | Calme, un peu lent, tres soutenu | ||
| Aki Takahashi | 6 Gnossiennes: No.5 | ||
| Szymanowski, Karol | Love-songs of Hafiz Op. 26: The infatuated east wind | ||
| Debussy | Trois Nocturnes : III. Sirenes | ||
| Villa-Lobos | Ibericarabe | ||
| Maurice Ravel | Un grand sommeil noir | ||
| Martin Jones | Metopes, Op.29 | ||
| Jean-Efflam Bavouzet, BBC Philharmonic, Juanjo Mena | Scherzo-Caprice, Op.25 | ||
| Charles Munch | Ravel | ||
| Villa-Lobos | Ciclo Brasileiro | ||
| Orchestre National de Lyon, Jun Markl | Printemps (orch. Henri Busser) | ||
| Maurice Ravel | Le tombeau de Couperin VI. Toccata (a la memoire du capitaine Joseph de Marliave) | ||
| Ladies of the Cleveland Orchestra Chorus, Gareth Morrell (chorus master), The Cleveland Orchestra, Pierre Boulet | Nocturnes, L.91 (orchestral version) | ||
| Cecilia Bartoli (mezzo-soprano), Myung Whun Chung (piano) | Deux Melodies hebraiques (1914) | ||
| Ravel, Maurice | Daphnis et Chloe |
Trio a cordes: Lento, molto espressivo
Shutka-Kadril' (Quadrille-Joke) (4 hands)
1958)
Preludes, Book 1 (orch. Colin Matthews)
The Pleasure-Dome of Kubla Khan, Op. 8
Eliahu Inbal
Fantasia Baetica
2 Idylles, Op. 44: No. 2. Pan aimait Ekho (feat. Yann Beuron, Marie Devellereau & Billy Eidi)
A Prole do Bebe No.2
Satie
Jeux d'eau (1901)
Scherzo (1916)
Cuatro piezas espanolas
La boite a joujoux (orch. Debussy and Andre Caplet)
Calme, un peu lent, tres soutenu
6 Gnossiennes: No.5
Love-songs of Hafiz Op. 26: The infatuated east wind
Trois Nocturnes : III. Sirenes
Ibericarabe
Un grand sommeil noir
Metopes, Op.29
Scherzo-Caprice, Op.25
Ravel
Ciclo Brasileiro
Printemps (orch. Henri Busser)
Le tombeau de Couperin VI. Toccata (a la memoire du capitaine Joseph de Marliave)
Nocturnes, L.91 (orchestral version)
Deux Melodies hebraiques (1914)
Daphnis et Chloe