Stoned Hajtzer
Stoned Hajtzer
Genres: irony is a vital scene
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About Stoned Hajtzer
Late summer 1994. A bass player called MICHA met two nuts (MERC, keys; BOZ, voc) and asked: "You guys are makin' music... I've heard...?" Well, history remained... The first year was stamped by weird experiments ("Nightwalker", "Three little pigs") and many changes in the line up. MAT (g) joined the band, later also MARKE (voc) and FIL (g). Instruments got exchanged, songs were knocked together and, mainly, permanent discussions struggled... that finally made MERC leaving where upon BEN (v) came into the band. Again instruments were newly allocated, for the last time thus far. The following development could have begun. Countless gigs and rehearsal tapes later sh went into the studio (established by KOLJA) and recorded some tracks out of the first creation period, released through Noiseworks records as their debut GREETINGS FROM THE TRANSCENDENT PIGGY WORLD. Self-produced and -financed this record sold quite extraordinary, just 764/500 copies remained up to now. Realised by their previous situation of having similar school careers (as well as there were different ages and resulting different examinations, off course), the band's existence (including rehearsals and planning) wasn't further possible this way. Following, in 1999 sh decided to interrupt the constant group-working (such as spontaneous space-jams, beer killing or live-acting), but not to bury, what sh is about. From the beginning, almost all songs were written down is scores, allowing home-practising by one. This kept (now defined as kind of a project) sh the coming years alive. Approximately, every quarter year they came together to check out the new stuff and concretize the future. New horizons rose because of the new musical direction: not to perform live meant to exploit all given technical options, what immanently affected the composing process, perhaps realisable on stage by many guest musicians and with friendly supporting by some processor controlled guys. Some members made projects by themselves or joined other bands, but always there was no doubt about making another record. The first step to "nihihu" was taken by participating onto an anthology of "modern Sorbian music" named SORBSPIRIT, contributing "Je kelko nohow", which was recorded again at KOLJA's Koltron Music Production in Dresden. This song was anticipating the next album, which was released in 2004; celebrating the 10th anniversary - here they go! line-up: Mat (g, sax*) *since 2004 Marke (keys) Fil (g) Boz (dr) Ben (v) Micha (bg)
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