Sin Sin Collective
Sin Sin Collective
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About Sin Sin Collective
Sin Sin Collective presents 3 Skeleton Key a body of often darkly comic original songs, performed on ukulele, guitar and vocals. This release is a selection of Sin Sin’s Naked Ukulele acoustic live repertoire. Presented with Hank Williams-like simplicity, the songs open the door to a strange world populated by old film-stars, murderous hippies, transsexuals, revolutionaries, Paul Robeson, Eskimos and Tom Jones, among others. Occasionally using samples of movie dialogue and assorted other unusual sounds, the trio endeavors to bring a Pop Art sensibility to the classic form of the 3 minute song. see http://www.myspace.com/sinsincollective and even more of Sin Sin's doings on YouTube : www.youtube.com/thefatc Dubbed ‘digital terrorists’ by The Irish Times, Sin Sin Collective have been making performances, music and art animations using new technology in combination with classical techniques since that distant epoch, the nineteen nineties. ‘Sin Sin . . . potentially the most exciting group to come out of Ireland for a decade’ [Dublin Evening Herald] Sin Sin Collective’s touring live show, Star Dot Star - Post Techno Revue was commissioned by New Moves at The Centre for Contemporary Arts, Glasgow. Their pan-media musical comedy for the stage, Hospital For Skeletons, (it’ll cure what ails you), premiered at tf2 Amsterdam Fringe Theatre Festival. To The Worm There Is No Underground is Sin Sin’s modern day pageant, an AV performance for a club audience using original electronic music, songs, masks, animations, visuals and hand held projections. Their latest projects include a performance poetry set called Monsters From The Id. Their comics, poems and illustrations have been published in international literary journals including Dandelion, Knock and Vallum. Their short films have been shown in film festivals worldwide. Sin Sin’s Inside The Dishwasher, was featured in the Art Animation Gallery and on the video review DVD at Siggraph Computer Animation Conference in Boston. The Fat Controller says ‘Art is our religion’
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