Incandescente Blues Band

Incandescente Blues Band

Group from Uruguay

Genres: rock, blues, female vocalist, blues rock

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About Incandescente Blues Band

Below was translated from Spanish to English using the 'Google Translator' application. The original text can be read here: Incandescente Blues Band Incandescent Blues Band was a blues and rock band that was born in Montevideo , Uruguay on December 28 , 1987 . In October of 1992 they shared stages with the famous blues guitarist and composer BB King . Artistic Beginnings Incandescent Blues Band achieved its first record contract in 1988 with the Orfeo label after a presentation at the Parque Parque Rock-Do held on the esplanade of the Museum of Plastic Arts of Montevideo with an attendance of several thousand spectators. That year they officially edit their first songs, participating in the collective phonogram " Rock V ", for the Orfeo label. The songs chosen to participate in it were " Bands of light in the sky " and " For snobs ". Three AM For 1989 they recorded again with Orfeo " Tres AM " with Raúl Amaral on bass and José Grucci on percussion. Already in this production Eduardo "Pato" Acevedo, 2 participating as a guest musician in the song "Blues for us", also played as a guest by Roy Berocay, does not participate as a stable member. In 1990 the singer Paula Francolino joined the group, who brings to the band a radical change for her powerful voice. The entrance of Francolino was ideal to make a turn towards the hard rock that the band was printing in several of his songs. The change of style was not arbitrary since the band had given a hard touch to their songs, which however was partially rejected for the recording of "Tres AM" trying to get closer to the style that reflected the heritage of the blues , the gospel and African tradition / black music like funky or soul . Around this time, the band Raul Amaral, José Grucci, Juan Faccini and Waldemar Pérez left to develop their own projects (the latter two to form The Count of Saint Germain ). 3 [ 4 At that time they took over the band Ramón Aloguin and Paula Francolino, resuming their ties with hard rock , a style with which they had more affinity than with the more traditional funky or blues. How It Costs In 1991 bassist Hector Nebuloni returns to the band and in that same year the second album "Como Cuesta" is recorded for Orfeo. In this album the Incandescent Blues Band makes clear what would be his musical proposal: the production of songs with place for the improvisation of bass guitar and drums. 5 The lyrics, which together with the music were often composed by Ramón Aloguin and Paula Francolino, describe the reality of that moment; and many times they claim the role and prerogatives of women in modern society. By then the band becomes power trio being accepted by the public who followed their work. In "Como cuesta" the work of the bassists was shared, playing in half of the songs Hector Nebuloni and in the other Pedro Barran; while the battery was in charge of Gabriel Leus. Then this production and in that same year Nebuloni is forced to leave the band again due to the bankruptcy of the transport company ONDA . In October 1992 The Incandescent Blues Band, was invited to participate as "opening act" in the concert offered by the blues musician BBKing , 6 receiving good reviews for his performance. On that occasion drummer and bass player were Daniel Techeira and Alberto García respectively; formation that would record the next record work. Transaction This third work was published in March 1993 by the label Top Records. This production was structured in such a way that on the A side there were all the heavys themes: "Dont want nobody", "Mr. Citizen" and on the B side the slow ones like: "Drops", "Serenata ser gata blues" . After the launching of "Transagresión" several performances followed, receiving contracts for concerts and private presentations being one of the most important the presentation at the Fray Bentos stadium on February 14 during the "Eco Caravan" with an attendance of five thousand people. 7 In this year they participate with the song "Notas personal" in a collective phonogram for the " Perro andaluz " label, 8 along with bands like Alvacast , Nickel and Cross . 9 The Room This led to the recording and editing of "El Cuarto", again on the Top Records label in 1994; this time with Fabio Techeira on bass. This album opens with the song "Aguantando como puede", which in some way anticipates the global economic crisis that would be installed in 2008 and some of its causes. In this disc besides blues-rock ("Oh so pale"), the band ventures for the first time in blues-jazz ("Pretty girl") or Zydeco ("Zydecocito"). 10 Since mid-1995 the bassist of the Incandescent Blues Band has been Nicolas Rodrigo, who contributed bass with distortion in many songs; both of the first productions and the new ones. Decent Blues In 1997 La Incandescente Blues Band released their first work on CD; the compilation "Blues Decente" for UN1CO RECORDS. In this disc four songs of "Transagresion" were included, four of "The Fourth" and four new ones recorded especially for this disc. The four new ones were a rock and roll ("Mama flower"), a soul ("I wont let you"), a heavy that starts with Spanish guitars in flamenco style and blues in its central part ("Mira quien van") and another instrumental bluesistico with touches of the rock of Seattle and a nod to Eduardo Mateo in the name ("Inintitulado"). This disc was presented in Montevideo in two multitudinous recitals in the Abundance Market , 11 and in the Tent of the Animation Unit of the Municipal Intendance located in Parque Rodó . Then he was taken to Punta del Este where the band performed daily throughout the month of January 1998.

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