Duchess Maria Antonia of Bavaria
Duchess Maria Antonia of Bavaria
Genres: german, 18th century, women composers
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About Duchess Maria Antonia of Bavaria
Maria Antonia, Princess of Bavaria, Electress of Saxony (18 July 1724 – 23 April 1780) was a German princess, composer, singer, harpsichordist and patron, known particularly for her operas Il trionfo della fedeltà (Dresden, summer 1754) and Talestri, regina delle amazoni (Nymphenburg Palace, February 6, 1760). She was also the Regent of Saxony in 1763-1768. Baptised Maria Antonia Walpurgis Symphorosa, she was known as Maria Antonia. While in Munich, Maria Antonia studied music with renowned opera composers Giovanni Battista Ferrandini and Giovanni Porta. After moving to Dresden she continued her studies with Nicola Porpora and Johann Adolph Hasse. Indeed, opera played a major part throughout Maria Antonia’s life. The court of Munich celebrated her birth with a performance of the opera Amadis de Grecia (Pietro Torri). Her betrothal to Friedrich Christian was likewise celebrated with opera performances, including Hasse’s La Spartana generosa, sets by Bibiena, and Gluck’s opera Le nozze d’Ercole e d’Ebe. Shortly after moving to Dresden, she penned the libretto for Hasse’s oratorio, La conversione di Sant’Agostino (1750), in addition to her composing work. Her own compositional style shows a strong affinity for that of Hasse, especially his conception of opera seria. She also performed actively as a singer and keyboard player in court performances, including leading roles in both of her operas. In addition to her two operas, a number of arias, a pastorale, intermezzos, meditations and motets are attributed to her.
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