Dalevuelta
Dalevuelta
Genres: rock, punk, Peru, alternative, Rock en Espanol
Similar artists via Last.fm
Diazepunk
About Dalevuelta
History, Landmarks, and Cultural Significance Dalevuelta is a Peruvian melodic punk band formed in Lima in 1998. The band is widely recognized by specialized publications and academic studies as a key player in Lima’s independent music scene that emerged between the late 1990s and the early 2000s. Currently, the band maintains an active operational structure with lineups in both Peru and Spain. General Information Origin: Lima, Peru. Status: Active. Genres: Melodic punk, punk rock, and melodic hardcore. Label: Independent. Associated Acts: 6 Voltios, Inyectores. Members Renzo Lancho Figueras: Vocals and guitar. Peru Lineup: Diego Del Rosario (bass) and Walter "Chuki" Sotomayor (drums). Spain Lineup: Michael "Mike" Rodriguez (bass) and Luis Naval (drums). Academic and Bibliographic Context The band’s cultural relevance has been analyzed in sociological research by the Institute of Peruvian Studies (IEP) regarding youth identities. Additionally, the Pontifical Catholic University of Peru (PUCP) cites their early albums as notable examples of self-management and independent cultural industries. Their career is documented in essential works such as Alta Tensión (2002) by Pedro Cornejo Guinassi and Sube el volumen (2024) by Mauricio Flores, which examines the sociology of rock in Lima. The group also appears in the Dictionary of Punk and Hardcore (Spain and Latin America) published by the SGAE in Madrid, and in Benjamín Novoa’s Encyclopedia of Peruvian Rock. Major Concerts and Activism The band’s trajectory is defined by its massive reach and its influence on Peru's cultural landscape: Major Concerts: A major turning point occurred in 2017 when the band performed twice at the National Stadium of Lima, playing to 30,000 people each night. The events drew extensive coverage from the country's main news outlets, including Agencia Andina, RPP Noticias, Diario Correo, and Perú21. Pioneering Digital Media: In 2002, Dalevuelta broke new ground by releasing Ruidos para observar, the first documentary by a Peruvian independent band to be released in digital format (VCD). Advocacy for the Arts: The group spearheaded the "El rock es cultura" (Rock is Culture) movement. As part of this initiative, they hand-delivered a manifesto to the Government Palace, calling for rock music to be officially recognized as a vital cultural expression in Peru. Critical Reception and Current Status Their discography has been validated by specialized critics. The album A mí qué chucha tú (2002) was named "Best Punk Album of the Year" by the program Zona 103 on Radio Nacional del Perú. In 2014, the newspaper El Comercio described their early productions as "indispensable records in the chronology of Peruvian rock." In March 2025, the band returned to the stage as special guests for Marky Ramone’s concert in Lima, an event covered by the official state press. Discography Studio Albums: Fuimos lo que somos (1999) A mí qué chucha tú (2002) Mundo de papel (2004) Acústica (2005) A.S.N.O. (2008) Fuimos y lo somos (2014) 174517 A y B (2020) Grandes Éxitos Vol. 1 & 2 (2023-2024) Obras Maestras Vol. 1-4 (2025) Live Albums: Estadio Nacional Vol. 1 & 2 (2017) Sesiones en La Tele (2020) Palacio de Justicia (2022) Adiós 2003 (2022) Fuimos lo que somos (Live, 2025) A mí qué chucha tú (Live, 2025) EPs and Singles: Recién Nacidos (Demo, 1998) Astalculo (2003) Sucursal del cielo (2013) Sudamerican Psycho (2022) Quiero ser un Ramones (2023) Amor incomparable (2025)
Taken from Last.fm
3,413 listeners · 67,118 plays via Last.fm