Stelvio Cipriani
Stelvio Cipriani
Person from Italy
Genres: Soundtrack, italian, composer, spaghetti western, horror
Similar artists via Last.fm
Piero Piccioni
About Stelvio Cipriani
Stelvio Cipriani (Rome, Italy, 20 August 1937 - 1 October 2018) was an Italian composer, mostly of motion picture soundtracks and pianist. Though not coming from a musical background, as a child Cipriani was fascinated by his church's organ. His priest gave him his first music lessons and encouraged Cipriani and his family. Cipriani passed his examinations and studied at Santa Cecilia Conservatory from the age of 14, then played on cruise ship bands, that enabled him to meet Dave Brubeck. Upon return to Italy he accompanied Rita Pavone on piano. His first soundtrack was the spaghetti western The Bounty Killer (1966), followed by a well known score for The Stranger Returns (also known as A Man, a Horse, a Gun and Shoot First, Laugh Last) (1967) starring Tony Anthony. Cipriani later composed other spaghetti western scores with Anthony, together with many popular poliziottesco soundtracks. Cipriani became prolific in the Italian film world and was awarded a Nastro d'Argento for Best Score for The Anonymous Venetian (1970). One of Cipriani's most famous scores is from the 1973 film La polizia sta a guardare (The Great Kidnapping). The main theme was recycled by Cipriani in 1977 for the score to Tentacoli, and was brought to the public's attention again in 2007 when it was featured in Quentin Tarantino's Death Proof. Cipriani's scores for the films of the "La Polizia..." series were different arrangements over the same theme. Some of those themes were used in the soundtrack of the couple Hélène Cattet & Bruno Forzani's first feature Amer. In a 2007 interview, Cipriani said that he had composed music for Pope John Paul II and was currently working with Pope Benedict XVI.
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385,873 listeners · 4,175,626 plays via Last.fm
On RadioStar
Radio Stations sorted by tracks on rotation
Stelvio Cipriani — Top 30 songs of 38
| Artist | Song title | Like / Dislike | |
|---|---|---|---|
| Stelvio Cipriani | Too Risky A Day For A Regatta | ||
| Stelvio Cipriani | Bambole Di Droga ||| Blueafternoon | ||
| Stelvio Cipriani | Female Prisoner | ||
| Stelvio Cipriani | Fight Of Love | ||
| Stelvio Cipriani | Bossa Nova Lcs033 | ||
| Stelvio Cipriani | Mary's Theme | ||
| Stelvio Cipriani | Anonimo Veneziano | ||
| Stelvio Cipriani | Small Town Pleasures | ||
| Stelvio Cipriani | Week-End With Mary | ||
| Stelvio Cipriani | Sulla Scogliera | ||
| Stelvio Cipriani | La Fine Di Cobb [CrL] | ||
| Stelvio Cipriani | Face To Face [DBG] | ||
| Stelvio Cipriani | Le Mataf | ||
| Stelvio Cipriani | Realta' N.5 | ||
| Stelvio Cipriani | Mark Il Poliziotto | ||
| Stelvio Cipriani | She' | ||
| Stelvio Cipriani | La polizia sta a guardare | ||
| Stelvio Cipriani | L`Uomo Piu Velenoso Del Cobra (Seq. 9) | ||
| Stelvio Cipriani | Femina Ridens (The Laughing Woman), 1969 | ||
| Stelvio Cipriani | Tentacoli (Tentacules), 1977 | ||
| Stelvio Cipriani | Sophisticated Shake | ||
| Stelvio Cipriani | Maquillage | ||
| Stelvio Cipriani | Papaya | ||
| Stelvio Cipriani | Bersaglio Altezza Uomo | ||
| Stelvio Cipriani | Love Symbol | ||
| Stelvio Cipriani | Realta' No5 | ||
| Stelvio Cipriani | Ave Maria (Single Version) | ||
| Stelvio Cipriani | Crazy Town | ||
| Stelvio Cipriani | Mark Il Poliziotto (Suite) | ||
| Stelvio Cipriani | Voci Dal Profondo (Seq |