Jordi Savall
Jordi Savall
Genres: baroque, Classical, early music, renaissance, medieval
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About Jordi Savall
Jordi Savall i Bernadet (born 1941, in Igualada, Catalonia) is a Catalan viol player and composer. He is one of the major figures in the field of early music since the 1970s, largely responsible for bringing the viol (viola da gamba) back to life on the stage. His repertory ranges from Medieval to Renaissance and Baroque music. Savall's musical training started in the school choir of his native town (1947-55). He later completed his training at the Barcelona Conservatory of Music (1959-65). Afterward, he began his specialisation in early music at the Schola Cantorum Basiliensis in Basel, Switzerland (1968-70). In 1974 he formed the ensemble Hespèrion XX (since 2000 as Hespèrion XXI), together with the soprano Montserrat Figueras (his wife), Lorenzo Alpert and Hopkinson Smith. Hespèrion XX favored a style of interpretation characterised by great musical vitality and at the same time, maximum historical accuracy. In 1987 he returned to Barcelona to found La Capella Reial de Catalunya, a vocal ensemble devoted to the interpretation of music prior to the 18th century. Finally, in 1989 Savall created Le Concert des Nations, an orchestra that is generally dedicated to the baroque repertoire, but which sometimes also serves as an outlet for music that hails from the classical/romantic repertoire (e.g. Sinfonia a Gran Orquesta by Juan Crisótomo de Arriga). Savall's discography includes more than 140 recordings. Since 1998 he has released his records with his own label, Alia Vox. Jordi Savall is also a two-time Grammy nominee, who scored the 1991 Alain Corneau film, Tous les matins du monde (also awarded the César of the French film industry in 1992). The soundtrack, re-released on his own Alia Vox label, has sold more than a million copies worldwide.
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Jordi Savall — Top 30 songs of 103
| Artist | Song title | Like / Dislike | |
|---|---|---|---|
| Jordi Savall | Concert VIIIe : La Conference | ||
| Jordi Savall | Hesperion XXI | ||
| Jordi Savall | Gabrieli, Giovanni | ||
| Jordi Savall | Danza de iniciacion (instr.) | ||
| Jordi Savall | [V. DINASTIA DE LOS MUHAMMAD] lamento. El camino | ||
| Jordi Savall | villancico. Aquella mora garrida (Cancionero de Palacio, 254) | ||
| Jordi Savall | Tambours. 9 Janvier 1431. Ouverture du proces en condamnation | ||
| Jordi Savall | Guami, Giuseppe | ||
| Jordi Savall | Juan Garcia De Zespedes | ||
| Jordi Savall | Luys De Narvaez | ||
| Jordi Savall | Tradicional Catalana | ||
| Jordi Savall | Avec la poupee | ||
| Jordi Savall | Nana: duermete, nino, duerme | ||
| Jordi Savall | No la devemos dormir (villancico) | ||
| Jordi Savall | Romance del Conde Claros | ||
| Jordi Savall | Rorro: Desvelado dueno mio | ||
| Jordi Savall | Si la noche haze escura | ||
| Jordi Savall | Narration 9 Erasmus of Rotterdam to his dear friend Thomas More on the publication of Praise of Folly | ||
| Jordi Savall | Hesperion XXI | ||
| Jordi Savall | Diferencias sobre las Folias | ||
| Jordi Savall | Recercada Ottava sobre la Folia (1553) | ||
| Jordi Savall | Andrew Lawrence-King - Hard is my fate | ||
| Jordi Savall | Prelude (The Fairy Queen) | ||
| Jordi Savall | Water Music | ||
| Jordi Savall | Allemande, II 98 | ||
| Jordi Savall | Les Voix Humaines | ||
| Jordi Savall | Tonada: El Tupamaro | ||
| Jordi Savall | Todos los Buenos Soldados (La Guerra) | ||
| Jordi Savall | Kuus-kuus kallike (estonian lullaby) | ||
| Jordi Savall | Danza Alta (instrumental) |